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New Cthulhu: The Recent Weird Page 10
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Between Peter’s house and the house to its left as you stood looking out the front door was a close, an alley. Peter rushed to and down it. It could be that panic drove him, or that he meant to evade Gaunt by taking a route he thought unknown to the butler. If the latter was the case, the sound of bones rattling across the cobblestones, a look back at the naked grin and the arm grasping at him, would have revealed his error instantly, with no way for him to double-back safely. I suspect the skeleton did something to herd Peter to that alley, out of sight of any people who might be on the street; I mean it worked a spell of some kind. The alley sloped down, gradually at first, then steeply, ending at the top of a series of flights of stone stairs descending the steep hillside to Market Street below. From Market Street, it’s not that far to the train station, which may have been Peter’s ultimate destination. His heart pounding, his breath rushing in and out, he sped down the hill, taking the stairs two, three, four at a time, his shoes snapping loudly on the stone, the skeleton close, swiping at him with a claw that tugged the collar of his sweater but failed to hold it.
Halfway down the stairs, not yet to safety but in sight of it, Peter’s left foot caught his right foot, tripping and tumbling him down the remaining stairs to the landing below, where he smashed into the bars of an iron guardrail. Suddenly, there was no air in his lungs. As he lay sprawled on his back, trying to breathe, the skeleton was on him, descending like a hawk on a mouse. He cried out, covering his eyes. Seizing him by the sweater front, Gaunt hauled Peter to his feet. For a second that seemed to take years, that fleshless smile was inches from his face, as if it were subjecting him to the most intense scrutiny. He could smell it: an odor of thick dust, with something faintly rancid beneath it, that brought the bile to his throat. He heard a sound like the whisper of sand blowing across a stone floor, and realized it was the skeleton speaking, bringing speech from across what seemed a great distance. It spoke one word, “Yes,” drawing it out into a long sigh that did not stop so much as fade away: Yyyeeeeeessssssss . . . . Then it jerked its head away, and began pulling him back up the stairs, to the house and, he knew, the study. When, all at once, his lungs inflated and he could breathe again, Peter tried to scream. The skeleton slapped its free hand across his mouth, digging the sharp ends of its fingers and thumb into his cheeks, and Peter desisted. They reached the top of the stairs and made their way up the close. How no one could have noticed them, I can’t say, though I suspect the skeleton had done something to insure their invisibility; yes, more magic. At the front door, Peter broke Gaunt’s grip and attempted to run, but he had not taken two steps before he was caught by the hair, yanked off his feet, and his head was slammed against the pavement. His vision swimming, the back of his head a knot of agony, Peter was led into the house. His knee cracked on an end-table; his shoulder struck a doorframe. As he was dragged to the study, did he speak to the creature whose claw clenched his arm? A strange question, perhaps, but since first I heard this story myself I have wondered it. Your cousin had a short time left to live, which he may have suspected; even if he did not, he must have known that what awaited him in the study would not be pleasant, to say the least. Did he apologize for his intrusion? Did he try to reason with his captor, promise his secrecy? Or did he threaten it, invoke his father’s wrath on his return? Was he quiet, stoic or stunned? Was his mind buzzing with plans of last minute escape, or had it accepted that such plans were beyond him?
There are moments when the sheer unreality of an event proves overwhelming, when, all at once, the mind can’t embrace the situation unfolding around it and refuses to do so, withholding its belief. Do you know what I mean? When your grandfather died, later that same afternoon I can remember feeling that his death was not yet permanent, that there was some means still available by which I could change it, and although I didn’t know what that means was, I could feel it trembling on the tip of my brain. When your mother told me that she was leaving me for husband number two, that they already had booked a flight together for the Virgin Islands, even as I thought, Well it’s about time: I wondered how long it would take this to arrive, I also was thinking, This is not happening: this is a joke: this is some kind of elaborate prank she’s worked up, most likely with someone else, someone at the school, probably one of my colleagues; let’s see, who loves practical jokes? While she explained the way my faults as a husband had led her to her decision, I was trying to analyze her sentence structure, word choice, to help me determine who in the department had helped her script her lines. A few years later, when she called to tell me about husband number three, I was much more receptive. All of which is to say that, if it was difficult for me to accommodate events that occur on a daily basis, how much more difficult would it have been for your cousin to accept being dragged to his father’s study by a living skeleton?
Once they were in the study, Gaunt wasted no time, making straight for the great stone sarcophagus. Peter screamed with all the force he could muster, calling for help from anyone who could hear him, then wailing in pure animal terror. The skeleton made no effort to silence him. At the sarcophagus with its furious visage, Gaunt brought his stark face down to Peter’s a second time, as if for a last look at him. He heard that faint whisper again, what sounded like the driest of chuckles. Then it reached out and slid the massive stone lid open with one spindly arm. The odor of decay, the ripe stench of a dead deer left at the side of the road for too many hot days, filled the room. Gagging, Peter saw that the interior of the sarcophagus was curiously rough, not with the roughness of, say, sandstone, but with a deliberate roughness, as if the stone had been painstakingly carved into row upon row of small sharp points, like teeth. The skeleton flung him into that smell, against those points. Before he could make a final, futile gesture of escape, the lid closed and Peter was in darkness, swathed in the thick smell of rot, his last sight the skeleton’s idiot grin. Nor was that the worst. He had been in the stone box only a few seconds, though doubtless it seemed an eternity, when the stone against which he was leaning grew warm. As it warmed, it shifted, the way the hide of an animal awakening from a deep sleep twitches. Peter jerked away from the rough stone, his heart in his throat as movement rippled through the coffin’s interior. If he could have been fortunate, his terror would have jolted him into unconsciousness, but I know this was not the case. If he was unlucky, as I know he was, he felt the sides of the sarcophagus abruptly swell toward him, felt the rows of sharp points press against him, lightly at first, then more insistently, then more insistently still, until—
I’ve mentioned the root of the word “sarcophagus;” it was Peter, ironically enough, who told it to me. It’s Greek: it means “flesh eating.” Exactly how that word came to be applied to large stone coffins I’m unsure, but in this case it was quite literally true. Peter was enclosed within a kind of mouth, a great stone mouth, and it . . . consumed him. The process was not quick. By the time George returned to the house almost a week and a half later, however, it was complete. Sometime in the long excruciation before that point, Peter must have realized that his father was implicated in what was happening to him. It was impossible for him not to be. His father had brought Mr. Gaunt into the house, and then left Peter at his mercy. His beloved father had failed, and his failure was Peter’s death.
It took George longer than I would have expected, almost two full days, to discover Peter’s fate, and to discern the butler’s role in it. When he did so, he punished, as he put it, Mr. Gaunt suitably. He did not tell me what such punishment involved, but he did assure me that it was thorough. Peter’s running away was, obviously, the ruse invented by George to hide his son’s actual fate.
By the time your uncle told me the story I’ve told you, Clarissa had been dead for several years. I hadn’t spoken to her since our phone conversation when Peter first vanished, and, I must confess, she had been absent from my thoughts for quite some time when I stumbled across her obituary on the opposite side of an article a friend in London had clipped and sent me
. The obituary stated that she had never recovered from the disappearance of her only son almost two decades prior, and hinted, if I understood its inference, that she had been addicted to antidepressants; although the writer hastened to add that the cause of death had been ruled natural and was under no suspicion from the police.
If George heard the news of his former wife’s death, which I assume he must have, he made no mention of it to me, not even during that last conversation, when so much else was said. Although I hadn’t planned it, we both became quite intoxicated, making our way through the better part of a bottle of Lagavulin after I had put you to bed. The closer I approach to complete intoxication, the nearer I draw to maudlin sentimentality, and it wasn’t long, as I sat beside my older brother looking across the Hudson to Poughkeepsie, the place where we had been born and raised and where our parents were buried, I say it wasn’t long before I told George to stay where he was, I had something for him. Swaying like a sailor on a ship in a heavy sea, I made my way into the house and to my study, where I located the shoebox in which I keep those things that have some measure of sentimental value to me, pictures, mostly, but also the letters that your cousin had sent me, tucked in their envelopes. Returning to the porch, I walked over to George and held them out to him, saying, “Here, take them.”
He did so, a look that was half-bemusement, half-curiosity on his face. “All right,” he said. “What are they?”
“Letters,” I declared.
“I can see that, old man,” he said. “Letters from whom?”
“From Peter,” I said. “From your son. You should have them. I want you to have them.”
“Letters from Peter,” he said.
“Yes,” I said, nodding vigorously.
“I was unaware the two of you had maintained a correspondence.”
“It was after the summer he came to stay with Mother. The two of us hit it off, you know, quite well.”
“As a matter of fact,” George said, “I didn’t know.” He continued to hold the letters out before him, as if he were weighing them. The look on his face had slid into something else.
Inspired by the Scotch, I found the nerve to ask George what I had wanted to ask him for so long: if he ever had received any word, any kind of hint, as to what had become of Peter? His already flushed face reddened more, as if he were embarrassed, caught off-guard, then he laughed and said he knew exactly what had happened to his son. “Exactly,” he repeated, letting the letters fall from his hand like so many pieces of paper.
Despite the alcohol in which I was swimming, I was shocked, which I’m sure my face must have shown. All at once, I wanted to tell George not to say anything more, because I had intuited that I was standing at the doorway to a room I did not wish to enter, for, once I stood within it, I would discover my older brother to be someone—something—I would be unable to bear sitting beside. We were not and had never been as close as popular sentiment tells us siblings should be; we were more friendly acquaintances. It was an acquaintance, however, I had increasingly enjoyed as I grew older, and I believe George’s feelings may have been similar. But my tongue was thick and sluggish in my mouth, and so, as we sat on the back porch, George related the circumstances of his son’s death to me. I listened to him as evening dimmed to night, making no move to switch on the outside lights, holding onto my empty glass as if it were a life-preserver. As his tale progressed, my first thought was that he was indulging in a bizarre joke whose tastelessness was appalling; the more he spoke, however, the more I understood that he believed what he was telling me, and I feared he might be delusional if not outright mad; by the story’s conclusion, I was no longer sure he was mad, and worried that I might be. I was unsure when he stopped talking: his words continued to sound in my ears, overlapping each other. A long interval elapsed during which neither of us spoke and the sound of the crickets was thunderous. At last George said, “Well?”
“Gaunt,” I said. “Who is he?” It was the first thing to leap to mind.
“Gaunt,” he said. “Gaunt was my teacher. I met him when I went to Oxford; the circumstances are not important. He was my master. Once, I should have called him my father.” I can not tell you what the tone of his voice was. “We had a disagreement, which grew into an . . . altercation, which ended with him inside the stone sarcophagus that had Peter, though not for as long, of course. I released him while there was still enough left to be of service to me. I thought him defeated, no threat to either me or mine, and, I will admit, it amused me to keep him around. I had set what I judged sufficient safeguards against him in place, but he found a way to circumvent them, which I had not thought possible without a tongue. I was in error.”
“Why Peter?” I asked.
“To strike at me, obviously. He had been planning something for quite a length of time. I had some idea of the depth of his hate for me, but I had no idea his determination ran to similar depths. His delight at what Peter had suffered was inestimable. He had written a rather extended description of it, which I believe he thought I would find distressing to read. The stone teeth relentlessly pressing every square inch of flesh, until the skin burst and blood poured out; the agony as the teeth continued through into the muscle, organ, and, eventually, bone; the horror at finding oneself still alive, unable to die even after so much pain: he related all of this with great gusto.
“The sarcophagus, in case you’re interested, I found in eastern Turkey, not, as you might think, Egypt; though I suspect it has its origins there I first read about it in Les mysteres du ver, though the references were highly elliptical, to say the least. It took years, and a small fortune, to locate it. Actually, it’s a rather amusing story: it was being employed as a table by a bookseller, if you can believe it, who had received it as payment for a debt owed him by a local banker, who in turn . . . ”
I listened to George’s account of the sarcophagus’s history, all the while thinking of poor Peter trapped inside it, wrapped in claustrophobic darkness, screaming and pounding on the lid as—what? Although, as I have said, I half-believed the fantastic tale George had told, my belief was only partial. It seemed more likely Peter had suffocated inside the coffin, then Gaunt disposed of the body in such a way that very little, if any, of it remained. When George was done talking, I asked, “What about Peter?”
“What about him?” George answered. “Why, ‘What about Peter’? I’ve already told you, it was too late for me to be able to do anything, even to provide him the kind of half-life Gaunt has, much less successfully restore him. What the sarcophagus takes, it does surrender.”
“He was your son,” I said.
“Yes,” George said. “And?”
“ ‘And’? My God, man, he was your son, and whatever did happen to him, he’s dead and you were responsible for his death, if not directly then through negligence. Doesn’t that mean anything to you?”
“No,” George said, his voice growing brittle. “As I have said, Peter’s death, while unfortunate, was unintentional.”
“But,” I went on, less and less able, it seemed, to match thought to word with any proficiency, “but he was your son.”
“So?” George said. “Am I supposed to be wracked by guilt, afflicted with remorse?”
“Yes,” I said, “yes, you are.”
“I’m not, though. When all is said and done, Peter was more trouble than he was worth. A man in my position—and though you might not believe it, my position is considerable—doing my kind of work, can’t always be worrying about someone else, especially a child. I should have foreseen that when I divorced Clarissa, and let her have him, but I was too concerned with her absolute defeat to make such a rational decision. Even after I knew the depth of my mistake, I balked at surrendering Peter to her because I knew the satisfaction such an admission on my part would give Clarissa. I simply could not bear that. For a time, I deluded myself that Peter would be my apprentice, despite numerous clear indications that he possessed no aptitude of any kind for my art. He was . . .
temperamentally unsuited. It is a shame: there would have been a certain amount of pleasure in passing on my knowledge to my son, to someone of my own blood. That has always been my problem: too sentimental, too emotional. Nonetheless, while I would not have done anything to him myself, I am forced to admit that Peter’s removal from my life has been to the good.”
“You can’t be serious,” I said.
“I am.”
“Then you’re a monster.”
“To you, perhaps,” he said.
“You’re mad,” I said.
“No, I’m not,” he said, and from the sharp tone of his voice, I could tell I had touched a nerve, so I repeated myself, adding, “Do you honestly believe you’re some kind of great and powerful magician? or do you prefer to be called a sorcerer? Perhaps you’re a wizard? a warlock? an alchemist? No, they worked with chemicals; I don’t suppose that would be you. Do you really expect me to accept that tall butler as some kind of supernatural creature, an animated skeleton? I won’t ask where you obtained his face and hands: I’m sure Jenner’s has a special section for the black arts.” I went on like this for several minutes, pouring out my scorn on George, feeling the anger radiating from him. I did not care: I was angry myself, furious, filled with more rage than ever before or ever after, for that matter.