Keeping the Beat Read online

  ISBN 978-1-77138-865-8 (EPUB)

  This edition published by KCP Loft in 2017

  KCP Loft is an imprint of Kids Can Press

  First published in the UK by Templar Publishing in 2013

  Copyright © 2013 Awesome Media & Entertainment Ltd

  Written by Marie Powell and Jeff Norton

  All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted, in any form or by any means, without the prior written permission of Kids Can Press Ltd. or, in case of photocopying or other reprographic copying, a license from The Canadian Copyright Licensing Agency (Access Copyright). For an Access Copyright license, visit www.accesscopyright.ca or call toll free to 1-800-893-5777.

  This is a work of fiction and any resemblance of characters to persons living or dead is purely coincidental.

  Many of the designations used by manufacturers and sellers to distinguish their products are claimed as trademarks. Where those designations appear in this book and Kids Can Press Ltd. was aware of a trademark claim, the designations have been printed in initial capital letters (e.g., Disney Channel).

  Kids Can Press gratefully acknowledges the financial support of the Government of Ontario, through the Ontario Media Development Corporation; the Ontario Arts Council; the Canada Council for the Arts; and the Government of Canada, through the CBF, for our publishing activity.

  Published in Canada and in the U.S. by Kids Can Press Ltd.

  25 Dockside Drive, Toronto, ON M5A 0B5

  Kids Can Press is a Corus Entertainment Inc. Company

  www.kidscanpress.com

  www.kcploft.com

  This edition edited by Kate Egan

  Cover design by Kate Hargreaves (CorusKate Design)

  Cover photograph courtesy of Unsplash

  Library and Archives Canada Cataloguing in Publication

  Powell, Marie, author

  Keeping the beat / written by Marie Powell and Jeff Norton.

  Previously published under title: Drummer girl. Dorking : Templar

  Publishing, 2013 under the author’s name: Bridget Tyler.

  ISBN 978-1-77138-730-9 (hardback)

  I. Norton, Jeff, author II. Tyler, Bridget. Drummer girl. III. Title.

  PZ7.P69Ke 2017 j813’.6 C2016-902715-5

  To Janice, Nicola, Menaka, Jane, Amber, Reece and Dana — for always helping me keep the beat — M.P.

  To Sidonie, who always believed — J.N.

  Track List:

  INTRO: Neon Halo

  1. I Love You, I Hate You

  2. Everything Is Impossible

  3. I'll Cross the World

  4. If I Was Pretty, Would You Love Me?

  5. Emotional Bloodbath

  6. Light in the Dark

  7. Delicate

  8. Dream + Nightmare

  9. No One to Save Me

  INTERLUDE: Do Over

  10. It's a Miracle

  11. Sharp Things

  12. The Best Bad Luck

  13. Worth It (ft. Trent Eisner)

  14. Sucker Punch

  15. Terrifying Things

  16. I Bad Choices

  17. Teenage Tragedy

  18. I'll Cross the World (Reprise)

  BONUS TRACK: Begin at the End

  INTRO: Neon Halo

  Lucy Gosling had imagined a lot of different ways that her friendship with Harper McKenzie might end. None of them had involved finding Harper’s dead body in a swimming pool in LA.

  But there she was, floating face down in the bright turquoise water. A cloud of blood wove itself around her, tangling with the chlorine and the orange rays of dawn sunlight to wrap her body in a halo of neon pink.

  Harper would love that color.

  Lucy marveled at the stray thought as it sank through her brain. What was wrong with her? It wasn’t as though she’d spotted a nail polish she thought Harper would like.

  It was blood.

  There was so much blood.

  “Is this Harper McKenzie?” asked Detective Hernandez, the LAPD officer in charge of the scene.

  “Yes,” Lucy said. She felt as though a thin layer of cotton wool was wrapping itself around her, filling in her ears and nose and mouth, making it difficult to breathe.

  Harper was dead.

  No, she wasn’t just dead. She’d been shot.

  What happened, Harper? Lucy raged silently at the girl she’d never get the chance to bicker with again. What did you do? I was your best friend. Why didn’t you talk to me?

  Lucy looked down at the single charm that dangled from her wrist. The little half heart read BFF. Best Friends Forever. She couldn’t see it from where she stood, but Lucy knew that Harper still wore the other half.

  The charms were silly. Kids’ stuff. She had laughed at Harper when she’d insisted that Lucy dig out the tiny relic from their childhood, but it really had been lovely to wear it again. To feel like it was true again. And despite everything that had happened that summer, neither girl had taken the charm off.

  Lucy felt the first tear slip down her cheek.

  Detective Hernandez was asking questions, but Lucy couldn’t hear him. She couldn’t seem to focus on anything but the single sentence that was playing on repeat inside her head.

  Harper McKenzie was dead.

  Eight Months Earlier ...

  1. I Love You, I Hate You

  Lucy settled into her usual, solitary table in the corner of the dining hall at St. Gabriel’s Girls’ School. First day back from the Christmas holidays and her brain was already sloshing with math and French and loads of other things she was sure no normal person could be expected to cram into her head all at the same time.

  She popped in her earbuds, cranked up Electric’s latest album, Swing, and dug into her fish fingers and chips with a sigh of contentment. A little quality time with Trent Eisner’s midnight-blue voice was exactly what she needed. She must have listened to Swing twenty-five times in the three days since she’d downloaded it, but she still liked it as much as she had the first time.

  She’d worked her way into a respectable musical wallow when Harper McKenzie dropped into the chair across from her, unplugged Lucy’s earbuds and stole one of her fish fingers.

  “I hope you know a hot girl who plays bass, because we’ve got a guitar and drums … and obviously a lead singer.” Harper gestured to herself with the half-eaten fish finger. “But a real rock band needs a bass.”

  Lucy stared at Harper. The tall, blonde American girl had been her friend once. Her best friend, in fact. But they hadn’t said a word to each other in nearly two years. Lucy wasn’t sure Harper had actually acknowledged her presence on planet Earth in that time. Now she was sitting at Lucy’s lunch table, eating Lucy’s lunch.

  “We might need something else, too. Not a violin, that’s too 1994, and not in a good way. We need something cutting-edge but, like, classic. I want Crush to be more what you’d get if Katy Perry had a baby with The Clash and then let Madonna circa 1989 raise it. You know?” Harper asked in her Californian twang.

  “I mean, I’m totally right. Right?” Harper tried again.

  “Crush?” Lucy said, still trying to figure out what Harper was on about.

  “Our band. Crush. We’re going to rock Project Next’s world.”

  “We?”

  “You, me, Robyn Miller — she plays the guitar — and our TBA bass player. We’ve got two months before the deadline to turn our demo in to Project Next, but we really need to get practicing, like, yesterday. Do any of the girls in orche
stra play bass, too? I guess we can audition —”

  “Harper,” Lucy cut in. “You do realize you haven’t spoken to me in ages, right?”

  “So?” Harper said, dipping a chip into the ketchup on Lucy’s plate and taking another bite. “That was your parents’ idea, not ours. That doesn’t mean we’re not friends anymore, does it?”

  How was Lucy meant to answer that question?

  Her first impulse was to say, “You got drunk at my fifteenth birthday party and smashed my mum’s car — with me in it — into a tree. Then you completely abandoned me to being grounded for six months, on crutches with three pins in my leg, while you were busy becoming the most popular girl in school because Rafe bloody Jackson thinks being a daredevil makes you sexy. So yes, that’s absolutely what it means,” which would only make her sound like a stuck-up, grudge-holding cow. Even if it was true.

  Lucy settled on, “Um, I don’t know.”

  Harper shot her a brilliant grin. “Well I do. We are friends. We always have been and we always will be. And Crush is going to be brilliant!”

  As Harper chattered on, Lucy contemplated reminding her that she’d never agreed to be in a band, or to try out for a reality show like Project Next. Not to mention the fact that Lucy’s parents were unlikely to allow it, even if the whole thing hadn’t been Harper’s idea.

  That was the kiss of death, though. The “Harper’s idea” bit. Because the Gosling Parental Ban on Harper McKenzie had most definitely not expired. But the longer Lucy let Harper chatter on about costumes and lyrical themes, the less she wanted to put an end to her friend’s delusion. Harper had been the reason Lucy had learned to play the drums in the first place, after all. If she hadn’t forced Lucy to actually go into the music shop and try out the drum kit she’d been ogling through the window, Lucy might never have picked up a drumstick. It only seemed fair to hear her out.

  Besides, if she was being honest, Lucy knew she didn’t want to say no.

  She wanted to say yes.

  “Toni and I sat next to each other in chemistry last year,” Lucy explained to Harper later that afternoon as they pushed through the heavy glass doors of Bella, the elegant Italian restaurant that Toni Clarke’s grandparents owned in Greenwich.

  “Her granddad was a jazz musician when he was young. I guess he was quite famous. Her mum was a pretty well-known model before she died, on the cover of Vogue and whatever. Toni’s always been keen to be famous as well. She used to play with Josie Hartcourt’s band, Spitfire, but they broke up last year. I’m sure she’ll be interested.”

  It was freezing outside and pouring rain, but Harper looked like she had just been made-up to shoot a romantic rain scene in a Hollywood film. Lucy, on the other hand, was quite sure she looked like a drowned porcupine. But then that was the difference between being Lucy Gosling and being Harper McKenzie, Lucy supposed.

  “Of course she’ll want to join Crush,” Harper said, pushing a twist of wet blonde hair from her eyes. “The question is do we want her? I mean, sure, she’s pretty. And Spitfire wasn’t tragic, so I guess she can probably play. But she was on the field hockey team with me last season and she was such a stuck-up brat that I almost had to kill her then. I can’t imagine having to rehearse with her every day.”

  “I like her,” Lucy said, “and she’s really very good on bass. Who said we were rehearsing every day?”

  “Maybe she’s awesome,” Harper replied, ignoring the question, “but if the two of us end up murdering each other we’ll be short a bassist and a lead singer — and then where will Crush be?”

  Lucy giggled and craned her neck, looking for Toni. “We’ll have to see if she’s interested before you decide whether or not you’ll have to kill her. Where is she?”

  Toni Clarke ducked into the break room, tossing her apron into the laundry and grabbing her oversized shoulder bag on her way to the kitchen.

  “Elaina,” Toni called to the short, sour-faced waitress who was waiting for a round of orders. “Granddad wants you to cover for me this afternoon. It’s a slow day, so he thinks you can handle the floor alone.”

  “I bet he does,” Elaina snapped. “All his idea as well, was it?”

  Toni grabbed table nine’s cappuccino and returned the older waitress’s dagger-sharp glare with a bright grin.

  “Thankyousomuch,” she sing-songed as she pushed into the dining room.

  Toni didn’t know why Elaina always had to be so snippy about it when Toni ducked out early. She made tons of extra tips when she didn’t have to split the shift’s takings. Besides, Toni wasn’t even a proper waitress. She only worked at Bella because her grandparents wanted her to know the family business from the ground up. Not that Toni ever intended to run Bella. There were a lot of things Toni planned to be famous for but pasta wasn’t one of them.

  She skimmed to a stop at table nine, tossed her curtain of brown hair over her shoulder and flashed a charming smile down at the perfectly gorgeous specimen who was sitting there, thumbing through his iPhone.

  “My shift’s finished,” she said, “but I wanted to make sure that you got this.”

  “Aren’t you sweet?” Perfectly Gorgeous drawled, looking up from the iPhone with a slow smile.

  “Occasionally,” she chirruped back.

  “Why don’t you —”

  “Hey, Toni!”

  What had surely been an invitation to sit down was cut off by a bright feminine voice from across the room. Two girls in St. Gabriel’s uniforms were sitting at table twelve. One of them was waving madly.

  Toni shot the interrupters a death glare and returned her attentions to Perfectly Gorgeous.

  “You were saying?” she said encouragingly.

  “Toni! Over here!”

  Someone was going to die. Painfully.

  “Hold that thought,” Toni told Perfectly Gorgeous, covering her irritation with a sparkly smile. Then she spun on her heel and stalked toward table twelve.

  She was on the verge of shredding the pair of them when she recognized the smaller girl’s wild curls.

  “Lucy Gosling?” she said. “I haven’t seen you in ages. What are you doing here?”

  “Luckily, she’s not here to eat,” said the blonde sitting across from Lucy. “We’ve been sitting here for fifteen minutes and we don’t even have a menu.”

  She looked awfully familiar. But why … A flash of memory flooded Toni’s brain. Skidding across a patch of rough mud in a field hockey skirt while that set of perfect blonde waves beat her to the goal. Then she knew.

  “Harper McKenzie,” Toni said, eyes narrowed. “Since when do you eat carbs?”

  “I don’t,” Harper shot back. “I told you, we’re not here to eat. We’re here to talk to you.”

  “I’m just leaving, actually.”

  “We’ll be quick,” Lucy said, ignoring Harper’s eye roll. “Promise. We’re putting a band together and we need a bass.”

  “Band?”

  “A rock band,” Lucy said. “We need a bass player. We’re calling ourselves Crush.”

  “Great. Good for you. I don’t have time to mess about in someone’s basement, pretending we’re going to be The Beatles. I have an actual job.” Toni waved toward the restaurant behind her for emphasis and caught sight of Evil Elaina handing Perfectly Gorgeous his bill. “And a life. Which, at the moment, you are ruining.”

  “Oh, please,” Harper said. “You’re not talking about that guy you were batting your eyelashes at, I hope. He’s ancient. And wearing a ring, by the way. As in married. If that’s what you call having a life, we may have to find another bass player.”

  Toni shrugged. “Some of us have more sophisticated tastes than others. Now, if you’ll excuse me …”

  With that, Toni marched straight past Perfectly Gorgeous toward the front doors, ignoring his hopeful expression. Married? And flirting with her? On
ly in his dreams.

  Toni was almost to the door when Harper called after her. “We’re going to be on Project Next. And we’re going to win.”

  Toni stopped. She’d heard of Project Next. It wasn’t going to be like any of the other tired talent competitions on TV. Bands on Project Next would actually play gigs and record an album in America. Then the winner would go on an international tour. They would be truly, properly famous. If Lucy and Harper had a band good enough to win Project Next …

  No. Harper was too annoying to live. Not even starring in Project Next was worth that.

  Famous.

  Toni found herself turning back.

  She dropped into the seat beside Lucy. “How can you be so sure you’re going to win?” she asked Harper.

  “Because I don’t lose.”

  The next afternoon, Robyn Miller sucked in her stomach and turned sideways, examining herself in the warped full-length mirrors of St. Gabriel’s music practice room where she was waiting for Harper and the new additions to Crush. Even when she sucked it in so hard that she couldn’t breathe, she was too enormous for words.

  No wonder Ryan had found another girl. A prettier, thinner university girl who probably knew every move in the entire Kama Sutra. In French. How could a deathly pale high school virgin who was roughly the size of a whale compete?

  It wasn’t fair. Somehow Harper had turned being ditched by Ryan’s best friend, Rafe Jackson, into an occasion for losing weight, writing an LP’s worth of perfect breakup rock and starting a band that might just be good enough to win the Project Next competition.

  Robyn, on the other hand, had used being ditched at the exact same time as a golden opportunity to get bigger. And blotchier.

  At least Harper had let Robyn compose the music for the Crush songs, even if it was only because Harper needed someone who knew how to harmonize a melody. Robyn had always liked making up little tunes on her guitar, and composing to Harper’s lyrics had been simply brilliant. Robyn had loved every second of it. She desperately wanted to hear her music played by a full band.