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The Magpie Tree
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THE MAGPIE TREE
KATHERINE STANSFIELD
For Tay, my Miss Wolffs, i.m.
CONTENTS
TITLE PAGE
DEDICATION
ONE
TWO
THREE
FOUR
FIVE
SIX
SEVEN
EIGHT
NINE
TEN
ELEVEN
TWELVE
THIRTEEN
FOURTEEN
FIFTEEN
SIXTEEN
SEVENTEEN
EIGHTEEN
NINETEEN
TWENTY
TWENTY-ONE
TWENTY-TWO
TWENTY-THREE
TWENTY-FOUR
TWENTY-FIVE
TWENTY-SIX
TWENTY-SEVEN
TWENTY-EIGHT
TWENTY-NINE
THIRTY
THIRTY-ONE
THIRTY-TWO
THIRTY-THREE
THIRTY-FOUR
THIRTY-FIVE
THIRTY-SIX
THIRTY-SEVEN
THIRTY-EIGHT
THIRTY-NINE
FORTY
AUTHOR’S NOTE
ACKNOWLEDGEMENTS
ABOUT THE AUTHOR
BY KATHERINE STANSFIELD
COPYRIGHT
ONE
The day I went to Jamaica Inn was the day I saw a man hanged.
The hanging was at the gaol, in Bodmin, and it was done early, before the sun had time to rise higher than the walls where the gallows stood. By evening, I was in Jamaica, and the hanged man in the ground, dropped in a pit behind the walls they’d hanged him from. He’d never escape. His bones would soften into the soil and he’d become that wretched place, feed it as he faded, while I was free to leave the moor, go on with the rest of my life. That’s what I told myself as the cart rattled up the high road to Jamaica Inn.
But it was a lie. I would never be free of what had been done.
The inn was full of bodies and all of them men, save for me and Mrs Williams. That was not her name, of course. Not her true name, at any rate. She had told me she was called Anna Drake. I didn’t know if I should believe her.
She’d asked me to work with her. I didn’t know if I should believe that either but I had nowhere to go after the hanging was done but to Jamaica Inn, where she was going. I’d lost my work on the farm because of meeting her. This woman calling herself Anna Drake. This woman now asking the man behind the bar the price of rooms.
Paying was her concern for I had nothing to my name, not a ha’penny, and so I looked about me at this place she’d taken me to.
Jamaica Inn was like all inns – white walls yellowed, slate flags dirtied with mud and candle wax. A thin dog gnawed a bone in the corner. The crowding made everyone too close, forced people to whisper. Pipe smoke curled at the ceiling, as if the fog had crept in from the moor beyond. The smoke didn’t deaden whispers, though, as fog would. Instead it moved them about the room so that the air seethed with the secrets of the men gathered in that place, and there were many that came to Jamaica Inn. It brought them up from the south and took them north, for the inn stood on a good road. The coaches stopped there. You could get far away from Bodmin Moor if you called at Jamaica.
I knew another way to leave that inn, that inn thick with the smell of meat cooking and of men. To leave the whole world behind. To forget the sight of my friend jerking at the end of a rope.
Anna caught me, of course, and stayed my hand. She didn’t care for thieving. I said to myself, later, Shilly. You’ll have it later.
‘One room, you’re wanting?’ the barman said.
‘Yes,’ I said.
‘We’ll take two.’ Anna counted out the money.
‘Better you’re in together,’ the barman said in a low voice. ‘Ladies on their own in this place … Well. You’re safer with a friend.’
That was my thinking too, but Anna was of a different mind.
‘Two rooms will suit us better,’ she said.
The barman said he was away to fetch the keys and I was left in no doubt about Anna and me. Though I’d had her in my arms the night before, her flesh against mine, her wetness in my hands, she’d had her fill of me.
A group of men, huddled nearest the cold hearth, had taken her fancy now. She half-turned to listen to them talking.
‘Coal,’ said one of the men. ‘That’s what them wicked women done. Turned him into a lump of coal.’
‘A little boy?’ said his friend. ‘They turned him to coal?’
‘You heard me.’ He was old, this one speaking of coal. Wrinkled as a summer apple forgotten at the bottom of a winter barrel.
‘You know him?’ Anna whispered to me.
‘Why would I? We’re ten miles from the farm.’
‘That’s hardly far, Shilly.’
But ten miles could take you a long way on Bodmin Moor. Into a world of strangers. Into a marsh and so to your end. Anna didn’t understand such a place.
The wrinkled man’s two friends were each a little younger than him, but not by many years. I had the sense they were often to be found so seated. It was the drink. They reeked of it.
‘Them women lured the child into their cottage,’ one of the friends was saying now. ‘Tricked him.’
‘And when the cottage door was locked on him,’ the wrinkled man said, ‘them creatures said their Devil words and the boy was changed.’
‘And then they burnt him!’ one of the friends said.
‘And then the boy was ash!’ said the other. ‘They put him in the tea tin and stirred it up so his mother and father didn’t know he was in there, and then his mother—’
‘She boiled him up and drank him.’ The wrinkled man took a long swig of beer and the others screeched with laughter. His lips were shiny with drink. I thought about pressing my own lips against his, flicking my tongue across them for the drops, to have them slip down my throat.
‘’Tis wickedness, though,’ the friend said.
‘Something should be done,’ said the other.
‘Oh, it will,’ the wrinkled man said. ‘You mark my words. The squire there, he’s offered a reward to see the women hanged.’
A chill passed over me though the day was warm for it was late August by then. I thought again of my friend. Matthew Weeks. Anna and I had failed him. May God have mercy on his soul, and hers too. Charlotte. She they said he’d killed. Oh God, for a sup—
‘Here we are, then,’ the barman said, and my heart stopped with the fright of him coming back so sudden. He handed us each a key.
‘A jug of beer,’ Anna said, and then my heart was loud in its rejoicing. Though we were but lately met she knew me well. Too well, I sometimes feared.
‘I’ll bring it up,’ the barman said. ‘Rooms are at the top of the stairs, end of the passage there.’
‘I’ll take it here, in the bar,’ Anna said. ‘Just one glass. My friends by the hearth only need topping up.’
The barman turned to me. ‘And you, miss?’
‘She’ll inspect the rooms,’ Anna said. And then without looking up from counting the money she said quietly, ‘Not a drop, Shilly. You hear me?’
She took the jug of beer to the men by the hearth.
‘Gentlemen. Your glasses are low. Allow me. You were speaking of two women turning a child to coal. Where are these fiends to be found?’
I took the keys and left the bar. She would keep me lonely even as she kept me by her side.
‘Trethevy,’ she said when she came to take her key. If she had drunk any beer then she held it well for she didn’t sway or pitch. Perhaps she could hold her drinking. I knew so little about her and yet I’d thrown in my lot with
hers.
She sat down on the edge of my bed, as far from me as she could without being on the floor. Her bony lightness barely made the cover ruck.
‘What’s Trethevy?’ I said.
‘A hamlet.’ She took out her pipe. ‘That’s where they’re living, in a wooded valley haunted by a saint, apparently.’
‘Who’s living there?’ I said.
‘The witches. The pair said to have turned a child to coal.’
I moaned and covered my face with my hands. ‘I can’t. Not again. Not after Charlotte …’
‘You needn’t upset yourself, Shilly. I don’t believe those women are witches any more than I am, but what I would like to believe is this talk of a reward. It’s being offered by the gentry there, Sir Vivian Orton, and we must be quick if we’re the ones to gain it. We cannot live on air alone.’
‘Sharing a room would’ve saved money.’
‘We need to start earning if we’re to establish the agency,’ she said, as if I hadn’t spoken.
‘Agency?’
‘You’re right. That is too grand a name to start with. A business, then, for private cases. This disappearance of a child is an excellent start. Finding him will be our next investigation.’
She sounded pleased a boy had been turned to coal. She was cruel, and I could be cruel likewise. In that we were a good pair.
‘You’ve given up, then?’ I said.
She pursed her thin, bloodless lips and looked down her thin, bloodless nose at me. ‘If you’re referring to my attempts to join the men at Scotland Yard, then yes, Shilly, I have given up, because I don’t need them. Far better to work for myself. A new opportunity presented itself in the bar this evening. You’re keen on portents. Don’t you think hearing of the lost boy is a sign I’m right to find my own way?’
‘And what am I doing in all this, aside from knowing what are signs and what aren’t? You said we’d be equals, Anna, if I came with you. You said you’d take me to London.’
She got up and went to the door. ‘Equals, yes. Taking you to London – I don’t believe I ever promised that. You must have imagined that part of the conversation, perhaps when you were dr—’
‘Are we going, then, to the saint’s place?’
‘I’ve paid for seats in the Boscastle coach,’ she said.
‘Boscastle …’ The corners of the room fluttered and I had no breath. That place. Not that place.
‘Shilly, are you listening? I said we’re not going so far as that. Trethevy is on the way to Boscastle, so my friends downstairs tell me. We leave at eight. I’ll come and dress you before then. You can’t keep wearing her clothes.’
And she was gone.
I lay down on the cover. It was hot in the room for the day had been hot and there was no wind to send it away. Sweat prickled like gorse under my arms, at the back of my neck, and I knew I should take off my dress, let the air reach my flesh. But it was the last of Charlotte Dymond left to me. I ran my damp hands across the green silk that she had worn when I first met her. It had been a good dress once, for she had liked good things. But now the silk was thin in places, and there was a tear at the waist. I slipped my hands across my breasts, under my backside, to feel the wear of it.
We were to catch a coach going to Boscastle, Anna had said. That was where Charlotte had come from. My girl. Oh, my girl in this green silk dress. Oh, my girl. This silk that had touched her, as it now touched me. I rucked the skirt up round my waist and made believe my hands were hers seeking me, helping me.
When I was finished, I was hotter than ever, and damp now all over, but still I couldn’t take off Charlotte’s dress because it clung between my thighs and that was a good thing. There were few of those in the world.
I opened the window wide as it would go. I leant out and breathed the moor to cool myself, breathed all its dank, dark air – the aching, lonely miles of it that spread across the land and made Jamaica Inn a small place, a nothing place, and me a nothing soul inside it.
TWO
Anna said I stank. I knew it, but I didn’t care. I wanted her to smell me, to want me as I wanted her. I’d had her once. I’d have her again, but it meant doing as she asked, so I took off Charlotte’s dress and folded it best I was able. I was never neat with such things and the dress was wilful. That was Charlotte, still making the world do as it didn’t ought to. I gave up and stuffed the dress in Anna’s travelling case.
Anna snatched the dress back out. ‘It’s time you gave her up, Shilly.’
‘But—’
‘You know I’m right. A new start, after today. Charlotte Dymond is gone. Just as Matthew is.’
If only it was that easy.
There was no fire lit so there was no burning the dress. Instead, Anna took a pair of scissors from a pocket of the case, one sewn into the lining, and cut the dress to ribbons. I lay down in the nest of them on the floor and wept, of course I did, but I couldn’t put the dress on again, couldn’t put her on again and that was right. That was needed. Anna, I needed. More than I cared her to know.
She pulled me from the floor and set me in a chair, then she gathered the green silk slips and threw them in the grate. I turned the chair so that I couldn’t see them.
‘Now, who will you be, Shilly?’
‘I … I would be myself.’
She waved away such a foolish notion. ‘I got rid of your farm clothes. You don’t need them now that you’re a detective assistant.’
She was dressed in red, a deep red that made me think of blood. There had been too much of that spilt on the moor, and it was good that we were leaving. Her short yellow hair was hidden beneath a wig of black knotted at the nape of her neck. It lent her meekness she didn’t truly have. If I could have picked a wig for her to wear it would have been the long red curls, and that she would be the woman who had such lovely ringlets.
She was rummaging in the case. ‘We’re presenting ourselves to the squire of Trethevy. You can’t very well go as a milkmaid. Ah! This might do.’ She pulled out a dress of palest blue, a dress cut from the summer sky that waited beyond the window. ‘This will suit your dark hair. It might even make you look less …’
‘Less what?’
‘You could use more colour in your cheeks, that’s all.’
‘Well,’ I said, ‘if it’s more colour I need then this would be better.’
I pulled from the case the purple mourning dress that belonged to a great friend of mine. She was a false self, I knew. Another that Anna put on for show. But all the same, I liked her.
Mrs Williams.
Oh, how I’d missed her! The curves her special padding gave to Anna’s narrow body. The neatness of her waist. The trim fur hat atop her false red curls, and the plumpness of her painted lips. I knew such things were tricks, of course. But that didn’t mean I didn’t like them. Sometimes I was all for being tricked.
Anna was looking me up and down as I clutched the dress.
‘She shouldn’t be a bad fit. But remember, Shilly. Mrs Williams is more than just the dress and the hat and all of that. She’s a widow and she knows her own mind. The latter won’t be a problem for you.’
‘Anything else?’ I said, quickly stepping into the dress before Anna could change her mind.
‘Mrs Williams was originally from Clerkenwell, but your accent won’t carry that. It’s time she was refreshed anyway. Who do you think she is?’
I wriggled my hips and pulled up the dress. The padding Anna had sewn inside felt strange, like my body had broken out in lumps, grown bones where they didn’t ought to be.
‘Don’t yank it like that – you’ll tear the stitching. Let me do it.’
She slapped my hands from trying to smooth the lumps. With some little tugs and shifting the cloth so that the dress hung more squarely, the padding fell into place. I put my hands on my new hips and turned to face her, but she had moved away, to rummage in the case.
‘Now, where is it? Ah … I think it will work.’
She held a
bag, drawn closed with fine string. She opened it, reached inside and pulled out a pad of red fur that looked like a kitten, curled and sleeping. The bag slipped to the floor, Anna shook the kitten and lengths of hair were all at once dangling, bouncing.
Mrs Williams’s long red curls.
I grabbed the wig from Anna and put it on. It was scratchy and terrible from the first but I told myself discomfort was worth it for such loveliness.
‘One last thing,’ Anna said.
She had found a little pot and wiped whatever was in it across my lips. I felt the slickness of the paint. Felt her finger pressing, smoothing. Moving into my mouth. I licked her.
She jerked away and went back to the wretched case.
‘So,’ she said without turning round. ‘Who is she?’
I thought a moment, watching her.
‘She writes books,’ I said. ‘She’s with the Temperance. And she killed her husband with a poker for his drinking.’
Anna faced me, grinned. ‘I should think we’ll get on famously, Mrs Williams. Now, one last touch.’
She took my hand in hers.
‘You can’t be a widow without a wedding ring,’ she said. ‘Unless you’ve come to grief and had to pawn it?’
I shook my head. ‘Things aren’t so bad as that.’
She slipped it on, that thick band of shine, and it fit so well, like it had been made for me. Like she had made it for me, to make me hers, as men make women theirs before God and all the rest of it. There was none but us there that morning to witness our joining together but joined we were, in a bedroom of Jamaica Inn in August 1844. Did the ring mean anything to Anna? Anything more than a trick? I didn’t know. The ring was heavy and I feared I should bang it against things, doors and the like. I’d never worn jewellery in my life until that moment.
Something else was weighing me down besides the ring. Something I’d carried from the moor.
‘If I’m Mrs Williams,’ I said, ‘going to see about this boy turned to coal, who does that make you?’
‘I’m Anna Drake.’
‘That’s the name you’ll be using? That I’m to call you when others are about?’