She Said Read online




  PENGUIN PRESS

  An imprint of Penguin Random House LLC

  penguinrandomhouse.com

  Copyright © 2019 by Jodi Kantor and Megan Twohey

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  ISBN: 9780525560340 (hardcover)

  ISBN: 9780525560357 (ebook)

  ISBN: 9781984879202 (international export)

  Version_1

  TO OUR DAUGHTERS:

  MIRA, TALIA, AND VIOLET

  CONTENTS

  TITLE PAGE

  COPYRIGHT

  DEDICATION

  PREFACE

  CHAPTER ONE

  THE FIRST PHONE CALL

  CHAPTER TWO

  HOLLYWOOD SECRETS

  CHAPTER THREE

  HOW TO SILENCE A VICTIM

  CHAPTER FOUR

  “POSITIVE REPUTATION MANAGEMENT”

  CHAPTER FIVE

  A COMPANY’S COMPLICITY

  CHAPTER SIX

  “WHO ELSE IS ON THE RECORD?”

  CHAPTER SEVEN

  “THERE WILL BE A MOVEMENT”

  CHAPTER EIGHT

  THE BEACHSIDE DILEMMA

  CHAPTER NINE

  “I CAN’T GUARANTEE I’LL GO TO DC”

  EPILOGUE: THE GATHERING

  ACKNOWLEDGMENTS

  NOTES

  INDEX

  ABOUT THE AUTHORS

  PREFACE

  In 2017, when we began our investigation of Harvey Weinstein for the New York Times, women held more power than ever before. The number of jobs once held almost exclusively by men—police officer, soldier, airline pilot—had narrowed almost to a vanishing point. Women led nations including Germany and the United Kingdom, and companies such as General Motors and PepsiCo. In one year of work, it was possible for a thirtysomething-year-old woman to make more money than all of her female ancestors had made in their combined lifetimes.

  But all too often, women were sexually harassed with impunity. Female scientists and waitresses, cheerleaders, executives, and factory workers had to smile past gropes, leers, or unwelcome advances to get the next tip, paycheck, or raise. Sexual harassment was against the law—but it was also routine in some jobs. Women who spoke up were frequently dismissed or denigrated. Victims were often hidden and isolated from one another. Their best option, many people agreed, was to accept money as some form of reparation, in exchange for silence.

  The perpetrators, meanwhile, frequently sailed to ever-higher levels of success and praise. Harassers were often accepted, or even cheered, as mischievous bad boys. Serious consequences were rare. Megan wrote some of the original articles in which women alleged that Donald J. Trump preyed on them—and then she covered his triumph in the 2016 election.

  After we broke the story of Weinstein’s alleged sexual harassment and abuse on October 5, 2017, we watched with astonishment as a dam wall broke. Millions of women around the world told their own stories of mistreatment. Large numbers of men suddenly had to answer for their predatory behavior, a moment of accountability without precedent. Journalism had helped inspire a paradigm shift. Our work was only one driver of that change, which had been building for years, thanks to the efforts of pioneering feminists and legal scholars; Anita Hill; Tarana Burke, the activist who founded the #MeToo movement; and many others, including our fellow journalists.

  But seeing our own hard-won investigative discoveries help realign attitudes left us asking, Why this story? As one of our editors pointed out, Harvey Weinstein wasn’t even that famous. In a world in which so much feels stuck, how does this sort of seismic social change occur?

  We embarked on this book to answer those questions. Nothing about the change was inevitable or foretold. In these pages, we describe the motivations and wrenching, risky decisions of the first brave sources to break the silence surrounding Weinstein. Laura Madden, a former assistant to Weinstein and a stay-at-home mother in Wales, spoke out just as she was reeling from divorce and about to undergo post-cancer breast surgery. Ashley Judd put her career on the line, spurred by a little-known period in her life when she stepped away from Hollywood to immerse herself in big-picture thinking about gender equality. Zelda Perkins, a London producer whose complaints against Weinstein had been suppressed by an agreement she had signed two decades before, spoke to us despite potential legal and financial retribution. A longtime Weinstein employee, increasingly troubled by what he knew, played a key, and previously undisclosed, role in helping us to finally unmask his boss. We intend the title, She Said, as a complicated one: We write about those who did speak out, along with other women who chose not to, and the nuances of how and when and why.

  This is also a story about investigative journalism, beginning with the first uncertain days of our reporting, when we knew very little and almost no one would speak to us. We describe how we coaxed out secrets, pinned down information, and pursued the truth about a powerful man even as he used underhanded tactics to try to sabotage our work. We have also, for the first time, reconstructed our final showdown with the producer—his last stand—in the offices of the New York Times right before publication, as he realized he was cornered.

  Our Weinstein reporting took place at a time of accusations of “fake news,” as the very notion of a national consensus on truth seemed to be fracturing. But the impact of the Weinstein revelations was so great in part because we and other journalists were able to establish a clear and overwhelming body of evidence of wrongdoing. In these pages, we explain how we have documented a pattern of behavior based on first-person accounts, financial and legal records, company memos, and other revealing materials. In the wake of our work, there was little public debate about what Weinstein had done to women; it was about what should be done in response. But Weinstein has continued to deny all allegations of non-consensual sex, and has repeatedly asserted that our reporting is incorrect. “What you have here are allegations and accusations, but you do not have absolute facts,” a spokesman said when we asked for a response to the revelations presented here.

  This book toggles between what we learned during the course of our original work on Weinstein in 2017 and the substantial amount of information we’ve gathered since. Much of the new reporting we present about Weinstein helps illustrate how the legal system and corporate culture has served to silence victims and still inhibits change. Businesses are co-opted into protecting predators. Some advocates for women profit from a settlement system that covers up misdeeds. Many people who glimpse the problem—like Bob Weinstein, Harvey’s brother and business partner, who granted extensive interviews for this book—do little to try and stop it.

  As we write this, in May 2019, Weinstein awaits a criminal trial for alleged rape and other sexual abuse and faces a volley of civil suits, in which actresses, former employees, and others are seeking to hold him financially accountable. No matter the outcome of those cases, we hope this book will serve as a lasting record of Weinstein’s legacy: his exploitation of the workplace to manipulate, pressure, and terrorize women.

  * * *

  —

  In the months after we broke the Weinstein story, as the #MeToo movement exploded, so did new debates about topics ranging from date rape to child sexual abuse to gender discrimination and even to awkward encounters at parties. This made the publ
ic conversation feel rich and searching, but also confusing: Were the goals to eliminate sexual harassment, reform the criminal justice system, smash the patriarchy, or flirt without giving offense? Had the reckoning gone too far, with innocent men tarnished with less-than-convincing proof, or not far enough, with a frustrating lack of systemic change?

  Nearly a year to the day after our Weinstein story was published, Dr. Christine Blasey Ford, a psychology professor from California, appeared before a U.S. Senate committee and accused Judge Brett Kavanaugh, then nominated to the Supreme Court, of sexually assaulting her while drunk in high school. He furiously denied the allegation. Some saw Ford as the ultimate hero of the #MeToo movement. Others saw her as a symbol of overreach—a living justification for the mounting backlash.

  We saw her as the protagonist of one of the most complex and revealing “she said” stories yet, especially once we began to learn how much about her path to that Senate testimony was not publicly understood. Jodi watched from the hearing room, observed some of her legal team as they worked, and met her the next morning. In December, Megan conducted the first post-hearing interview of Ford, over a breakfast in Palo Alto. In the following months, she had dozens of hours of additional interviews with Ford about how she came to raise her voice and what the consequences were. We also spoke with others who shaped and witnessed her experience. We tell the story of Ford’s journey to Washington and how an overwhelming array of viewpoints, institutions, political forces, and fears all came to bear on her.

  Many people wonder how Ford has fared since her testimony. The final chapter of this book consists of a unique group interview, in which we brought together some of the women we reported on, including Ford, across these different stories. But something larger is at stake in Ford’s odyssey too: that continued question of what drives and impedes progress. The #MeToo movement is an example of social change in our time but is also a test of it: In this fractured environment, will all of us be able to forge a new set of mutually fair rules and protections?

  This book recounts two astounding years in the life of women in the United States and beyond. That history belongs to all of us who lived it: Unlike some journalistic investigations that deal with locked-away government or corporate secrets, this one is about experiences many of us recognize from our own lives, workplaces, families, and schools. But we wrote this book to bring you as close as we could to ground zero.

  To relate those events as directly and authentically as possible, we have incorporated transcripts of interviews, emails, and other primary documents. There are notes from the first conversations we had with movie stars about Weinstein, a searching letter that Bob Weinstein wrote to his brother, excerpts from Ford’s texts, and many other firsthand materials. Some of what we share was originally off the record, but through additional reporting, including returning to the parties involved, we were able to include it here. We were able to depict conversations and events that we did not witness firsthand through records and interviews. All told, this book is based on three years of reporting and hundreds of interviews conducted from London to Palo Alto; the endnotes give a detailed accounting of which information we learned from which sources and records.

  Finally, this book is a chronicle of the partnership we developed as we worked to understand these events. To avoid confusion, we write about ourselves in the third person. (In a first-person account of our reporting, which was collaborative but often involved us following separate threads, “I” could be either Jodi or Megan.) So before we slip into that way of telling the story, we want to say, in our own voices: Thank you for joining our partnership for the duration of these pages, for puzzling through these events and clues as we have, for witnessing what we witnessed, and hearing what we heard.

  CHAPTER ONE

  THE FIRST PHONE CALL

  The New York Times investigation into Harvey Weinstein began with the most promising source refusing even to get on the phone.

  “Here’s the thing, I have been treated quite shabbily by your paper at times and I believe the root of it is sexism,” the actress Rose McGowan wrote on May 11, 2017, responding to an email from Jodi asking to talk. McGowan listed her criticisms: a speech she had made at a political dinner was covered in the Style section instead of the news pages. An earlier conversation she’d had with a Times reporter about Weinstein had been uncomfortable.

  “The NYT needs to look at itself for sexism issues,” she responded. “I’m not that inclined to help.”

  Months earlier, McGowan had accused an unnamed producer—rumored to be Weinstein—of having raped her. “Because it’s been an open secret in Hollywood/Media & they shamed me while adulating my rapist,” she had tweeted, adding the hashtag #WhyWomenDontReport. Now she was said to be writing a memoir intended to expose the entertainment industry’s mistreatment of women.

  Unlike almost anyone else in Hollywood, McGowan had a history of risking her own career prospects to call out sexism, once tweeting out the insulting clothing requirements on a casting notice for an Adam Sandler movie: “tank that shows off cleavage (push up bras encouraged).” In general, her tone on social media was tough, confrontational: “It is okay to be angry. Don’t be afraid of it,” she had tweeted a month earlier, later adding: “dismantle the system.” If McGowan, as much an activist as an actress, would not have one off-the-record conversation, who would?

  Harvey Weinstein was not the man of the moment. In recent years, his moviemaking magic had faltered. But his name was synonymous with power, specifically the power to make and boost careers. First he had invented himself, going from a modest upbringing in Queens, New York, to concert promotion to film distribution and production, and he seemed to know how to make everything around him bigger—films, parties, and most of all, people. Over and over, he had propelled young actors to stardom: Gwyneth Paltrow, Matt Damon, Michelle Williams, and Jennifer Lawrence. He could turn tiny independent movies like Sex, Lies, and Videotape or The Crying Game into phenomena. He had pioneered the modern Oscar campaign, winning five Best Picture statues for himself and armloads for others. His record of raising money for Hillary Clinton, and flanking her at countless fund-raisers, was almost two decades long. When Malia Obama had sought an internship in film, she worked for “Harvey”—first name only, used even by many strangers. By 2017, even though his movies were less successful than they used to be, his reputation remained outsized.

  Rumors had long circulated about his treatment of women. People had joked about them publicly: “Congratulations, you five ladies no longer have to pretend to be attracted to Harvey Weinstein,” the comedian Seth MacFarlane said at the Oscar nomination announcements in 2013. But many people had dismissed the behavior as philandering, and nothing had ever been publicly documented. Other journalists had tried and failed in the past. A 2015 investigation by the City of New York Police Department (NYPD) into a groping accusation against Weinstein had ended without any criminal charges. “At some pt, all the women who’ve been afraid to speak out abt Harvey Weinstein are gonna have to hold hands and jump,” Jennifer Senior, a journalist, had tweeted back then. Two years had passed. Nothing had happened. Jodi had heard that two more reporters, a writer at New York Magazine and NBC’s Ronan Farrow, had tried, but no stories had appeared.

  Were the whispers about Weinstein’s interactions with women wrong? Had McGowan’s tweet referred to someone else? In public, Weinstein boasted of feminist credentials. He had just given a large donation to help endow a professorship in Gloria Steinem’s name. His company had distributed The Hunting Ground, a documentary and rallying cry about campus sexual assault. He had even participated in the historic women’s marches of January 2017, joining the pink pussyhat throngs in Park City, Utah, during the Sundance Film Festival.

  The point of the Times investigations department, tucked away from the hum of the rest of the newsroom, was to dig for what had never been reported, bringing to account people and institutions whose transgr
essions had been deliberately concealed. The first step was often careful outreach. So how to reply to McGowan so as to motivate her to pick up the phone?

  Her email had openings. First, she had written back. Lots of people never did. She had put thought into her note and cared enough to offer a critique. Maybe she was testing Jodi, jabbing at the Times to see if the reporter would defend it.

  But Jodi wasn’t looking to have an argument about her own workplace of fourteen years. Flattering McGowan (“I really admire the bravery of your tweets . . .”) also was not the way to go. That would sap what little authority Jodi had in the interaction. And there was nothing to be said about the investigation to which McGowan would be contributing: If she asked how many other women Jodi had spoken to, the answer would be none.

  The note would need to be phrased just so, with no mention of Weinstein’s name: McGowan had a history of posting private communications on Twitter, like the Adam Sandler casting notice. She was someone who wanted to blow things open, but that impulse could backfire in this situation. (“Hey, world, check out this email from a Times reporter.”) The subject matter made the response even trickier. McGowan had said she was an assault victim. Pressuring her would not be right.

  * * *

  —

  In 2013, Jodi had started investigating women’s experiences at corporations and other institutions. The gender debate in the United States already seemed saturated with feeling: opinion columns, memoirs, expressions of outrage or sisterhood on social media. It needed more exposure of hidden facts. Especially about the workplace. Workers, from the most elite to the lowliest, were often afraid to question their employers. Reporters were not. In doing those stories, Jodi had found that gender was not just a topic, but a kind of investigative entry point. Because women were still outsiders at many organizations, documenting what they experienced meant seeing how power functioned.