Plum Bun Read online

  JESSIE REDMON FAUSET

  Plum Bun

  Rafia Zafar, editor

  LIBRARY OF AMERICA E-BOOK CLASSICS

  Back matter copyright © 2011 by

  Literary Classics of the United States, Inc., New York, N.Y.

  All rights reserved.

  No part of this book may be reproduced in any manner whatsoever without the permission of the publisher, except in the case of brief quotations embodied in critical articles and reviews.

  Published in the United States by Library of America.

  Visit our website at www.loa.org.

  e-ISBN 978-1-59853-575-4

  PLUM BUN

  is published with support from

  THE SHELLEY & DONALD RUBIN FOUNDATION

  Contents

  HOME

  Chapter 1

  Chapter 2

  Chapter 3

  Chapter 4

  Chapter 5

  Chapter 6

  MARKET

  Chapter 1

  Chapter 2

  Chapter 3

  Chapter 4

  Chapter 5

  Chapter 6

  Chapter 7

  PLUM BUN

  Chapter 1

  Chapter 2

  Chapter 3

  Chapter 4

  Chapter 5

  HOME AGAIN

  Chapter 1

  Chapter 2

  Chapter 3

  Chapter 4

  Chapter 5

  Chapter 6

  MARKET IS DONE

  Chapter 1

  Chapter 2

  Chapter 3

  Chronology

  Biographical Note

  Note on the Text

  Notes

  PLUM BUN

  A NOVEL WITHOUT A MORAL

  “To Market, to Market

  To buy a Plum Bun;

  Home again, Home again,

  Market is done.”

  TO

  MY FATHER AND MOTHER

  REDMOND AND ANNA FAUSET

  HOME

  Chapter I

  OPAL STREET, as streets go, is no jewel of the first water. It is merely an imitation, and none too good at that. Narrow, unsparkling, uninviting, it stretches meekly off from dull Jefferson Street to the dingy, drab market which forms the north side of Oxford Street. It has no mystery, no allure, either of exclusiveness or of downright depravity; its usages are plainly significant,—an unpretentious little street lined with unpretentious little houses, inhabited for the most part by unpretentious little people.

  The dwellings are three stories high, and contain six boxes called by courtesy, rooms—a “parlour”, a midget of a dining-room, a larger kitchen and, above, a front bedroom seemingly large only because it extends for the full width of the house, a mere shadow of a bathroom, and another back bedroom with windows whose possibilities are spoiled by their outlook on sad and diminutive back-yards. And above these two, still two others built in similar wise.

  In one of these houses dwelt a father, a mother and two daughters. Here, as often happens in a home sheltering two generations, opposite, unevenly matched emotions faced each other. In the houses of the rich the satisfied ambition of the older generation is faced by the overwhelming ambition of the younger. Or the elders may find themselves brought in opposition to the blank indifference and ennui of youth engendered by the realization that there remain no more worlds to conquer; their fathers having already taken all. In houses on Opal Street these niceties of distinction are hardly to be found; there is a more direct and concrete contrast. The satisfied ambition of maturity is a foil for the restless despair of youth.

  Affairs in the Murray household were advancing towards this stage; yet not a soul in that family of four could have foretold its coming. To Junius and Mattie Murray, who had known poverty and homelessness, the little house on Opal Street represented the ne plus ultra of ambition; to their daughter Angela it seemed the dingiest, drabbest chrysalis that had ever fettered the wings of a brilliant butterfly. The stories which Junius and Mattie told of difficulties overcome, of the arduous learning of trades, of the pitiful scraping together of infinitesimal savings; would have made a latter-day Iliad, but to Angela they were merely a description of a life which she at any cost would avoid living. Somewhere in the world were paths which lead to broad thoroughfares, large, bright houses, delicate niceties of existence. Those paths Angela meant to find and frequent. At a very early age she had observed that the good things of life are unevenly distributed; merit is not always rewarded; hard labour does not necessarily entail adequate recompense. Certain fortuitous endowments, great physical beauty, unusual strength, a certain unswerving singleness of mind,—gifts bestowed quite blindly and disproportionately by the forces which control life,—these were the qualities which contributed toward a glowing and pleasant existence.

  Angela had no high purpose in life; unlike her sister Virginia, who meant some day to invent a marvellous method for teaching the pianoforte, Angela felt no impulse to discover, or to perfect. True she thought she might become eventually a distinguished painter, but that was because she felt within herself an ability to depict which as far as it went was correct and promising. Her eye for line and for expression was already good and she had a nice feeling for colour. Moreover she possessed the instinct for self-appraisal which taught her that she had much to learn. And she was sure that the knowledge once gained would flower in her case to perfection. But her gift was not for her the end of existence; rather it was an adjunct to a life which was to know light, pleasure, gaiety and freedom.

  Freedom! That was the note which Angela heard oftenest in the melody of living which was to be hers. With a wildness that fell just short of unreasonableness she hated restraint. Her father’s earlier days as coachman in a private family, his later successful, independent years as boss carpenter, her mother’s youth spent as maid to a famous actress, all this was to Angela a manifestation of the sort of thing which happens to those enchained it might be by duty, by poverty, by weakness or by colour.

  Colour or rather the lack of it seemed to the child the one absolute prerequisite to the life of which she was always dreaming. One might break loose from a too hampering sense of duty; poverty could be overcome; physicians conquered weakness; but colour, the mere possession of a black or a white skin, that was clearly one of those fortuitous endowments of the gods. Gratitude was no strong ingredient in this girl’s nature, yet very often early she began thanking Fate for the chance which in that household of four had bestowed on her the heritage of her mother’s fair skin. She might so easily have been, like her father, black, or have received the melange which had resulted in Virginia’s rosy bronzeness and her deeply waving black hair. But Angela had received not only her mother’s creamy complexion and her soft cloudy, chestnut hair, but she had taken from Junius the aquiline nose, the gift of some remote Indian ancestor which gave to his face and his eldest daughter’s that touch of chiselled immobility.

  It was from her mother that Angela learned the possibilities for joy and freedom which seemed to her inherent in mere whiteness. No one would have been more amazed than that same mother if she could have guessed how her daughter interpreted her actions. Certainly Mrs. Murray did not attribute what she considered her happy, busy, sheltered life on tiny Opal Street to the accident of her colour; she attributed it to her black husband whom she had been glad and proud to marry. It is equally certain that that white skin of hers had not saved her from occasional contumely and insult. The famous actress for whom she had worked was aware of Mattie’s mixed blood and, boasting temperament rather than refinement, had often dubbed her “white nigger”.

  Angela’s mother employed her colour very much as she practised certain winning usages of smile and voice to obtain indul
gences which meant much to her and which took nothing from anyone else. Then, too, she was possessed of a keener sense of humour than her daughter; it amused her when by herself to take lunch at an exclusive restaurant whose patrons would have been panic-stricken if they had divined the presence of a “coloured” woman no matter how little her appearance differed from theirs. It was with no idea of disclaiming her own that she sat in orchestra seats which Philadelphia denied to coloured patrons. But when Junius or indeed any other dark friend accompanied her she was the first to announce that she liked to sit in the balcony or gallery, as indeed she did; her infrequent occupation of orchestra seats was due merely to a mischievous determination to flout a silly and unjust law.

  Her years with the actress had left their mark, a perfectly harmless and rather charming one. At least so it seemed to Junius, whose weakness was for the qualities known as “essentially feminine”. Mrs. Murray loved pretty clothes, she liked shops devoted to the service of women; she enjoyed being even on the fringe of a fashionable gathering. A satisfaction that was almost ecstatic seized her when she drank tea in the midst of modishly gowned women in a stylish tea-room. It pleased her to stand in the foyer of a great hotel or of the Academy of Music and to be part of the whirling, humming, palpitating gaiety. She had no desire to be of these people, but she liked to look on; it amused and thrilled and kept alive some unquenchable instinct for life which thrived within her. To walk through Wanamaker’s on Saturday, to stroll from Fifteenth to Ninth Street on Chestnut, to have her tea in the Bellevue Stratford, to stand in the lobby of the St. James’ fitting on immaculate gloves; all innocent, childish pleasures pursued without malice or envy contrived to cast a glamour over Monday’s washing and Tuesday’s ironing, the scrubbing of kitchen and bathroom and the fashioning of children’s clothes. She was endowed with a humorous and pungent method of presentation; Junius, who had had the wit not to interfere with these little excursions and the sympathy to take them at their face value, preferred one of his wife’s sparkling accounts of a Saturday’s adventure in “passing” to all the tall stories told by cronies at his lodge.

  Much of this pleasure, harmless and charming though it was, would have been impossible with a dark skin.

  In these first years of marriage, Mattie, busied with the house and the two babies had given up those excursions. Later, when the children had grown and Junius had reached the stage where he could afford to give himself a half-holiday on Saturdays, the two parents inaugurated a plan of action which eventually became a fixed programme. Each took a child, and Junius went off to a beloved but long since suspended pastime of exploring old Philadelphia, whereas Mattie embarked once more on her social adventures. It is true that Mattie accompanied by brown Virginia could not move quite as freely as when with Angela. But her maternal instincts were sound; her children, their feelings and their faith in her meant much more than the pleasure which she would have been first to call unnecessary and silly. As it happened the children themselves quite unconsciously solved the dilemma; Virginia found shopping tiring and stupid, Angela returned from her father’s adventuring worn and bored. Gradually the rule was formed that Angela accompanied her mother and Virginia her father.

  On such fortuities does life depend. Little Angela Murray, hurrying through Saturday morning’s scrubbing of steps in order that she might have her bath at one and be with her mother on Chestnut Street at two, never realized that her mother took her pleasure among all these pale people because it was there that she happened to find it. It never occurred to her that the delight which her mother obviously showed in meeting friends on Sunday morning when the whole united Murray family came out of church was the same as she showed on Chestnut Street the previous Saturday, because she was finding the qualities which her heart craved, bustle, excitement and fashion. The daughter could not guess that if the economic status or the racial genius of coloured people had permitted them to run modish hotels or vast and popular department stores her mother would have been there. She drew for herself certain clearly formed conclusions which her subconscious mind thus codified:

  First, that the great rewards of life—riches, glamour, pleasure,—are for white-skinned people only. Secondly, that Junius and Virginia were denied these privileges because they were dark; here her reasoning bore at least an element of verisimilitude but she missed the essential fact that her father and sister did not care for this type of pleasure. The effect of her fallaciousness was to cause her to feel a faint pity for her unfortunate relatives and also to feel that coloured people were to be considered fortunate only in the proportion in which they measured up to the physical standards of white people.

  One Saturday excursion left a far-reaching impression. Mrs. Murray and Angela had spent a successful and interesting afternoon. They had browsed among the contents of the small exclusive shops in Walnut Street; they had had soda at Adams’ on Broad Street and they were standing finally in the portico of the Walton Hotel deciding with fashionable and idle elegance what they should do next. A thin stream of people constantly passing threw an occasional glance at the quietly modish pair, the well-dressed, assured woman and the refined and no less assured daughter. The door-man knew them; it was one of Mrs. Murray’s pleasures to proffer him a small tip, much appreciated since it was uncalled for. This was the atmosphere which she loved. Angela had put on her gloves and was waiting for her mother, who was drawing on her own with great care, when she glimpsed in the laughing, hurrying Saturday throng the figures of her father and of Virginia. They were close enough for her mother, who saw them too, to touch them by merely descending a few steps and stretching out her arm. In a second the pair had vanished. Angela saw her mother’s face change—with trepidation she thought. She remarked: “It’s a good thing Papa didn’t see us, you’d have had to speak to him, wouldn’t you?” But her mother, giving her a distracted glance, made no reply.

  That night, after the girls were in bed, Mattie, perched on the arm of her husband’s chair, told him about it. “I was at my old game of playacting again to-day, June, passing you know, and darling, you and Virginia went by within arm’s reach and we never spoke to you. I’m so ashamed.”

  But Junius consoled her. Long before their marriage he had known of his Mattie’s weakness and its essential harmlessness. “My dear girl, I told you long ago that where no principle was involved, your passing means nothing to me. It’s just a little joke; I don’t think you’d be ashamed to acknowledge your old husband anywhere if it were necessary.”

  “I’d do that if people were mistaking me for a queen,” she assured him fondly. But she was silent, not quite satisfied. “After all,” she said with her charming frankness, “it isn’t you, dear, who make me feel guilty. I really am ashamed to think that I let Virginia pass by without a word. I think I should feel very badly if she were to know it. I don’t believe I’ll ever let myself be quite as silly as that again.”

  But of this determination Angela, dreaming excitedly of Saturdays spent in turning her small olive face firmly away from peering black countenances was, unhappily, unaware.

  Chapter II

  SATURDAY came to be the day of the week for Angela, but her sister Virginia preferred Sundays. She loved the atmosphere of golden sanctity which seemed to hover with a sweet glory about the stodgy, shabby little dwelling. Usually she came downstairs first so as to enjoy by herself the blessed “Sunday feeling” which, she used to declare, would have made it possible for her to recognize the day if she had awakened to it even in China. She was only twelve at this time, yet she had already developed a singular aptitude and liking for the care of the home, and this her mother gratefully fostered. Gradually the custom was formed of turning over to her small hands all the duties of Sunday morning; they were to her a ritual. First the kettle must be started boiling, then the pavement swept. Her father’s paper must be carried up and left outside his door. Virginia found a nameless and sweet satisfaction in performing these services.

  She prepared the Sunday bre
akfast which was always the same,—bacon and eggs, strong coffee with good cream for Junius, chocolate for the other three and muffins. After the kettle had boiled and the muffins were mixed it took exactly half an hour to complete preparations. Virginia always went about these matters in the same way. She set the muffins in the oven, pursing her lips and frowning a little just as she had seen her mother do; then she went to the foot of the narrow, enclosed staircase and called “hoo-hoo” with a soft rising inflection,—“last call to dinner,” her father termed it. And finally, just for those last few minutes before the family descended she went into the box of a parlour and played hymns, old-fashioned and stately tunes,—“How firm a foundation”, “The spacious firmament on high”, “Am I a soldier of the Cross”. Her father’s inflexible bass, booming down the stairs, her mother’s faint alto in thirds mingled with her own sweet treble; a shaft of sunlight, faint and watery in winter, strong and golden in summer, shimmering through the room in the morning dusk completed for the little girl a sensation of happiness which lay perilously near tears.

  *

  After breakfast came the bustle of preparing for church. Junius of course had come down in complete readiness; but the others must change their dresses; Virginia had mislaid her Sunday hair-ribbon again; Angela had discovered a rip in her best gloves and could not be induced to go down until it had been mended. “Wait for me just a minute, Jinny dear, I can’t go out looking like this, can I?” She did not like going to church, at least not to their church, but she did care about her appearance and she liked the luxuriousness of being “dressed up” on two sucessive days. At last the little procession filed out, Mattie hoping that they would not be late, she did hate it so; Angela thinking that this was a stupid way to spend Sunday and wondering at just what period of one’s life existence began to shape itself as you wanted it. Her father’s thoughts were inchoate; expressed they would have revealed a patriarchal aspect almost biblical. He had been a poor boy, homeless, a nobody, yet he had contrived in his mid-forties to attain to the status of a respectable citizen, house-owner, a good provider. He possessed a charming wife and two fine daughters, and as was befitting he was accompanying them to the house of the Lord. As for Virginia, no one to see her in her little red hat and her mother’s cut-over blue coat could have divined how near she was to bursting with happiness. Father, mother and children, well-dressed, well-fed, united, going to church on a beatiful Sunday morning; there was an immense cosmic rightness about all this which she sensed rather than realized. She envied no one the incident of finer clothes or a larger home; this unity was the core of happiness, all other satisfactions must radiate from this one; greater happiness could be only a matter of degree but never of essence. When she grew up she meant to live the same kind of life; she would marry a man exactly like her father and she would conduct her home exactly as did her mother. Only she would pray very hard every day for five children, two boys and two girls and then a last little one,—it was hard for her to decide whether this should be a boy or a girl,—which should stay small for a long, long time. And on Sundays they would all go to church.