LONTAR issue #1 Read online

  LiveTrack IV tracks media user data—Web site, feed, VOD, audiostream, TV broadcast—with Google's own net statistics gathering programs, aided by Nielsen hardware in personal data devices ranging from TVs to tablets to ear buds to handsets to car radios. To say that the maelstrom keeps a finger on the pulse of media is an understatement. Like calling the monsoon a little wet. The maelstrom is the pulse, the pressure, the blood-oxygen mix; the count of red cells and white, of T-cells and BAC, the screening for AIDS and hepatitis G . . . It is reality.

  Our service version of the maelstrom displays the performance of our own content and compares it to the top one hundred user-traffic events in real-time. My own latest news story is up in the maelstrom, glittering near the edge of the screen, a tale of government incompetence: the harvested DNA of the checkerspot butterfly, already extinct, has been destroyed through mismanagement at the California Federal Biological Preserve Facility. The butterfly—along with sixty-two other species—was subjected to improper storage protocols, and now there is nothing except a little dust in vials. The samples literally blew away. My coverage of the story opens with federal workers down on their knees in a two-billion-dollar climate-­controlled vault, with a dozen crime scene vacuums that they've borrowed from LAPD, trying to suck up a speck of butterfly that they might be able to reconstitute at some future time.

  In the maelstrom, the story is a pinprick beside the suns and pulsing moons of traffic that represent other reporters' content. It doesn't compete well with news of Frontal Lobe devices, or reviews of Armored Total Combat, or live feeds of the Binge-Purge championships. It seems that the only people who are reading my story are the biologists I interviewed. This is not surprising. When I wrote about bribes for subdivision approvals, the only people who read the story were county planners. When I wrote about cronyism in the selection of city water recycling technologies, the only people who read were water engineers. Still, even though no one seems to care about these stories, I am drawn to them, as though poking at the tiger of the American government will somehow make up for not being able to poke at the little cub of New Divine Monarch Khamsing. It is a foolish thing, a sort of Don Quixote crusade. As a consequence, my salary is the smallest in the office.

  "Whoooo!"

  Heads swivel from terminals, look for the noise: Marty Mackley, grinning.

  "You can thank me . . ." He leans down and taps a button on his keyboard. "Now."

  A new post appears in the maelstrom, a small green orb announcing itself on the Glamour Report, Scandal Monkey blog, and Marty's byline feeds. As we watch, the post absorbs pings from software clients around the world, notifying the millions of people who follow his byline that he has launched a new story.

  I flick my tablet open, check the tags:

  Double DP,

  Redneck HipHop,

  Music News,

  Schadenfreude,

  underage,

  pedophilia . . .

  According to Mackley's story, Double DP the Russian mafia cowboy rapper—who, in my opinion, is not as good as the Asian pop sensation Kulaap, but whom half the planet likes very much—is accused of impregnating the fourteen-year-old daughter of his face sculptor. Readers are starting to notice, and with their attention Marty's green-glowing news story begins to muscle for space in the maelstrom. The content star pulses, expands, and then, as though someone has thrown gasoline on it, it explodes. Double DP hits the social sites, starts getting recommended, sucks in more readers, more links, more clicks . . . and more ad dollars.

  Marty does a pelvic grind of victory, then waves at everyone for their attention. "And that's not all, folks." He hits his keyboard again, and another story posts: live feeds of Double's house, where . . . it looks as though the man who popularized Redneck Russians is heading out the door in a hurry. It is a surprise to see video of the house, streaming live. Most freelance paparazzi are not patient enough to sit and hope that maybe, perhaps, something interesting will happen. This looks as though Marty has stationed his own exclusive papcams at the house, to watch for something like this.

  We all watch as Double DP locks the door behind himself. Marty says, "I thought DP deserved the courtesy of notification that the story was going live."

  "Is he fleeing?" Mikela Plaa asks.

  Marty shrugs. "We'll see."

  And indeed, it does look as if Double is about to do what Americans have popularized as an "OJ." He is into his red Hummer. Pulling out.

  Under the green glow of his growing story, Marty smiles. The story is getting bigger, and Marty has stationed himself perfectly for the development. Other news agencies and blogs are playing catch-up. Follow-on posts wink into existence in the maelstrom, gathering a momentum of their own as newsrooms scramble to hook our traffic.

  "Do we have a helicopter?" Janice asks. She has come out of her glass office to watch the show.

  Marty nods. "We're moving it into position. I just bought exclusive angel view with the cops, too, so everyone's going to have to license our footage."

  "Did you let Long Arm of the Law know about the cross-content?"

  "Yeah. They're kicking in from their budget for the helicopter."

  Marty sits down again, begins tapping at his keyboard, a machine-gun of data entry. A low murmur comes from the tech pit, Cindy C. calling our telecom providers, locking down trunklines to handle an anticipated data surge. She knows something that we don't, something that Marty has prepared her for. She's bringing up mirrored server farms. Marty seems unaware of the audience around him. He stops typing. Stares up at the maelstrom, watching his glowing ball of content. He is the maestro of a symphony.

  The cluster of competing stories are growing as Gawker and Newsweek and Throb all organize themselves and respond. Our readers are clicking away from us, trying to see if there's anything new in our competitor's coverage. Marty smiles, hits his "publish" key, and dumps a new bucket of meat into the shark tank of public interest: a video interview with the fourteen-year-old. On-screen, she looks very young, shockingly so. She has a teddy bear.

  "I swear I didn't plant the bear," Marty comments. "She had it on her own."

  The girl's accusations are being mixed over Double's run for the border, a kind of synth loop of accusations:

  "And then he . . ."

  "And I said . . ."

  "He's the only one I've ever . . ."

  It sounds as if Marty has licensed some of Double's own beats for the coverage of his fleeing Humvee. The video outtakes are already bouncing around YouTube and MotionSwallow like ping-pong balls. The maelstrom has moved Double DP to the center of the display as more and more feeds and sites point to the content. Not only is traffic up, but the post is gaining in social rank as the numbers of links and social pokes increase.

  "How's the stock?" someone calls out.

  Marty shakes his head. "They locked me out from showing the display."

  This, because whenever he drops an important story, we all beg him to show us the big picture. We all turn to Janice. She rolls her eyes, but she gives the nod. When Cindy finishes buying bandwidth, she unlocks the view. The maelstrom slides aside as a second window opens, all bar graphs and financial landscape: our stock price as affected by the story's expanding traffic—and expanding ad revenue.

  The stock bots have their own version of the maelstrom; they've picked up the reader traffic shift. Buy and sell decisions roll across the screen, responding to the popularity of Mackley's byline. As he feeds the story, the beast grows. More feeds pick us up, more people recommend the story to their friends, and every one of them is being subjected to our advertisers' messages, which means more revenue for us and less for everyone else. At this point, Mackley is bigger than the Super Bowl. Given that the story is tagged with Double DP, it will have a targetable demographic: thirteen- to twenty-four-year-olds who buy lifestyle gadgets, new music, edge clothes, first-run games, boxed hairstyles, tablet skins, and ringtones: not only a larg
e demographic, a valuable one.

  Our stock ticks up a point. Holds. Ticks up another. We've got four different screens running now. The papcam of Double DP, chase cycles with views of the cops streaking after him, the chopper lifting off, and the window with the fourteen-year-old interviewing. The girl is saying, "I really feel for him. We have a connection. We're going to get married," and there's his Hummer screaming down Santa Monica Boulevard with his song "Cowboy Banger" on the audio overlay.

  A new wave of social pokes hits the story. Our stock price ticks up again. Daily bonus territory. The clicks are pouring in. It's got the right combination of content, what Mackley calls the "Three S's": sex, stupidity, and schadenfreude. The stock ticks up again. Everyone cheers. Mackley takes a bow. We all love him. He is half the reason I can pay my rent. Even a small newsroom bonus from his work is enough for me to live. I'm not sure how much he makes for himself when he creates an event like this. Cindy tells me that it is "solid seven, baby." His byline feed is so big he could probably go independent, but then he would not have the resources to scramble a helicopter for a chase toward Mexico. It is a symbiotic relationship. He does what he does best, and Milestone pays him like a celebrity.

  Janice claps her hands. "All right, everyone. You've got your bonus. Now back to work."

  A general groan rises. Cindy cuts the big monitor away from stocks and bonuses and back to the work at hand: generating more content to light the maelstrom, to keep the newsroom glowing green with flares of Milestone coverage—everything from reviews of Mitsubishi's 100 mpg Road Cruiser to how to choose a perfect turkey for Thanksgiving. Mackley's story pulses over us as we work. He spins off smaller additional stories, updates, interactivity features, encouraging his vast audience to ping back just one more time.

  Marty will spend the entire day in conversation with this elephant of a story that he has created. Encouraging his visitors to return for just one more click. He'll give them chances to poll each other, discuss how they'd like to see DP punished, ask whether you can actually fall in love with a fourteen-year-old. This one will have a long life, and he will raise it like a proud father, feeding and nurturing it, helping it make its way in the rough world of the maelstrom.

  My own little green speck of content has disappeared. It seems that even government biologists feel for Double DP.

  *

  When my father was not placing foolish bets on revolution, he taught agronomy at the National Lao University. Perhaps our lives would have been different if he had been a rice farmer in the paddies of the capital's suburbs, instead of surrounded by intellectuals and ideas. But his karma was to be a teacher and a researcher, and so while he was increasing Lao rice production by 30 percent, he was also filling himself with gambler's fancies: Thoreau, Gandhi, Martin Luther King, Andrei Sakharov, Mandela, Aung San Suu Kyi. True gamblers, all. He would say that if white South Africans could be made to feel shame, then the pretender monarch must right his ways. He claimed that Thoreau must have been Lao, the way he protested so politely.

  In my father's description, Thoreau was a forest monk, gone into the jungle for enlightenment. To live amongst the banyan and the climbing vines of Massachusetts and to meditate on the nature of suffering. My father believed he was undoubtedly some arhat reborn. He often talked of Mr. Henry David, and in my imagination this falang, too, was a large man like my father.

  When my father's friends visited in the dark—after the coup and the countercoup, and after the march of Khamsing's Chinese-supported insurgency—they would often speak of Mr. Henry David. My father would sit with his friends and students and drink black Lao coffee and smoke cigarettes, and then he would write carefully worded complaints against the government that his students would then copy and leave in public places, distribute into gutters, and stick onto walls in the dead of night.

  His guerrilla complaints would ask where his friends had gone, and why their families were so alone. He would ask why monks were beaten on their heads by Chinese soldiers when they sat in hunger strike before the palace. Sometimes, when he was drunk and when these small gambles did not satisfy his risk-taking nature, he would send editorials to the newspapers.

  None of these were ever printed, but he was possessed with some spirit that made him think that perhaps the papers would change. That his stature as a father of Lao agriculture might somehow sway the editors to commit suicide and print his complaints.

  It ended with my mother serving coffee to a secret police captain while two more policemen waited outside our door. The captain was very polite: he offered my father a 555 cigarette—a brand that already had become rare and contraband—and lit it for him. Then he spread the whisper sheet onto the coffee table, gently pushing aside the coffee cups and their saucers to make room for it. It was rumpled and torn, stained with mud. Full of accusations against Khamsing. Unmistakable as one of my father's.

  My father and the policeman both sat and smoked, studying the paper silently.

  Finally, the captain asked, "Will you stop?"

  My father drew on his cigarette and let the smoke out slowly as he studied the whisper sheet between them. The captain said, "We all respect what you have done for the Lao kingdom. I myself have family who would have starved if not for your work in the villages." He leaned forward. "If you promise to stop writing these whispers and complaints, everything can be forgotten. Everything."

  Still, my father didn't say anything. He finished his cigarette. Stubbed it out. "It would be difficult to make that sort of promise," he said.

  The captain was surprised. "You have friends who have spoken on your behalf. Perhaps you would reconsider. For their sake."

  My father made a little shrug. The captain spread the rumpled whisper sheet, flattening it out more completely. Read it over. "These sheets do nothing," he said. "Khamsing's dynasty will not collapse because you print a few complaints. Most of these are torn down before anyone reads them. They do nothing. They are pointless." He was almost begging. He looked over and saw me watching at the door. "Give this up. For your family, if not your friends."

  I would like to say that my father said something grand. Something honorable about speaking against tyranny. Perhaps invoked one of his idols. Aung San Suu Kyi or Sakharov, or Mr. Henry David and his penchant for polite protest. But he didn't say anything. He just sat with his hands on his knees, looking down at the torn whisper sheet. I think now that he must have been very afraid. Words always came easily to him, before. Instead, all he did was repeat himself. "It would be difficult."

  The captain waited. When it became apparent that my father had nothing else to say, he put down his coffee cup and motioned for his men to come inside. They were all very polite. I think the captain even apologized to my mother as they led him out the door.

  *

  We are into day three of the Double DP bonanza, and the green sun glows brightly over all of us, bathing us in its soothing, profitable glow. I am working on my newest story with my Frontal Lobe ear buds in, shutting out everything except the work at hand. It is always a little difficult to write in one's third language, but I have my favorite singer and fellow countryperson Kulaap whispering in my ear that "Love is a Bird," and the work is going well. With Kulaap singing to me in our childhood language, I feel very much at home.

  A tap on my shoulder interrupts me. I pull out my ear buds and look around. Janice, standing over me. "Ong, I need to talk to you." She motions me to follow.

  In her office, she closes the door behind me and goes to her desk. "Sit down, Ong." She keys her tablet, scrolls through data. "How are things going for you?"

  "Very well. Thank you." I'm not sure if there is more that she wants me to say, but it is likely that she will tell me. Americans do not leave much to guesswork.

  "What are you working on for your next story?" she asks.

  I smile. I like this story; it reminds me of my father. And with Kulaap's soothing voice in my ears I have finished almost all of my research. The bluet, a flower made fam
ous in Mr. Henry David Thoreau's journals, is blooming too early to be pollinated. Bees do not seem to find it when it blooms in March. The scientists I interviewed blame global warming, and now the flower is in danger of extinction. I have interviewed biologists and local naturalists, and now I would like to go to Walden Pond on a pilgrimage for this bluet that may soon also be bottled in a federal reserve laboratory with its techs in clean suits and their crime scene vacuums.

  When I finish describing the story, Janice looks at me as if I am crazy. I can tell that she thinks I am crazy, because I can see it on her face. And also because she tells me.

  "You're fucking crazy!"

  Americans are very direct. It's difficult to keep face when they yell at you. Sometimes, I think that I have adapted to America. I have been here for five years now, ever since I came from Thailand on a scholarship, but at times like this, all I can do is smile and try not to cringe as they lose their face and yell and rant. My father was once struck in the face with an official's shoe, and he did not show his anger. But Janice is American, and she is very angry.

  "There's no way I'm going to authorize a junket like that!"

  I try to smile past her anger, and then remember that the Americans don't see an apologetic smile in the same way that a Lao would. I stop smiling and make my face look . . . something. Earnest, I hope.

  "The story is very important," I say. "The ecosystem isn't adapting correctly to the changing climate. Instead, it has lost . . ." I grope for the word. "Synchronicity. These scientists think that the flower can be saved, but only if they import a bee that is available in Turkey. They think it can replace the function of the native bee population, and they think that it will not be too disruptive."