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The Year's Greatest Science Fiction & Fantasy 4 - [Anthology]
The Year's Greatest Science Fiction & Fantasy 4 - [Anthology] Read online
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The Year’s Greatest
Science Fiction and Fantasy 4
Ed by Judith Merril
Proofed By MadMaxAU
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CONTENTS
Introduction
by JUDITH MERRIL
Pelt
by CAROL EMSHWILLER
Triggerman
by J. F. BONE
The Prize of Peril
by ROBERT SHECKLEY
Hickory, Dickory, Kerouac
by RICHARD GEHMAN
The Yellow Pill
by ROG PHILLIPS
River of Riches
by GERALD KERSH
Satellite Passage
by THEODORE L. THOMAS
Casey Agonistes
by R. M. McKENNA
Space-Time for Springers
by FRITZ LEIBER
Or All the Seas With Oysters
by AVRAM DAVIDSON
Ten-Story Jigsaw
by BRIAN W. ALDISS
Fresh Guy
by E. C. TUBB
The Beautiful Things
by ARTHUR ZIRUL
The Comedian’s Children
by THEODORE STURGEON
The Short-Short Story of Mankind
by JOHN STEINBECK
From Science Fiction to Science Fact:
The Universe and Us
Man in Space
by DANIEL LANG
Rockets To Where?
by JUDITH MERRIL
The Thunder-Thieves
by ISAAC ASIMOV
The Year’s SF
Summary and Honorable Mentions
by JUDITH MERRIL
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INTRODUCTION
by Judith Merril
You’ve heard the one about the old egghead (slightly cracked, but not quite addled yet) who’s got this gorgeous girl assistant, and this formula (or Frankenstein, or maybe a giant ant). Anyhow, the old boy means well, but he just can’t stop himself. (One more experiment! he says each time, and then I’ll quit.) And he would have sure enough destroyed the world if the young reporter (or engineer, or Marine lieutenant) didn’t bust in the door and marry the poor girl just in time.
Well, maybe I got it a little mixed up, but you know the one I mean. What I wanted to say was . . . you won’t find it here.
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The name of this book is SF.
SF is an abbreviation for Science Fiction (or Science Fantasy). Science Fantasy (or Science Fiction) is really an abbreviation too. Here are some of the things it stands for. . . .
S is for Science, Space, Satellites, Starships, and Solar exploring; also for Semantics and Sociology, Satire, Spoofing, Suspense, and good old Serendipity. (But not Spelling, without which I could have added Psychology, Civilizations, and Psi without parentheses.)
F is for Fantasy, Fiction and Fable, Folklore, Fairy-tale and Farce; also for Fission and Fusion; for Firmament, Fireball, Future and Forecast; for Fate and Free-will; Figuring, Fact-seeking, and Fancy-free.
Mix well. The result is SF, or Speculative Fun...
Happy reading.
—J. M.
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PELT
by Carol Emshwiller
Does your science-fiction magazine look different lately?
If it does, there’s a fair chance (one in six, by my count) that Carol Emshwiller is a good part of the reason why.
The reason for that is that Mrs. Emshwiller—who is now a housewife, mother of three pre-schoolers, married to a rising young professional man, in the world’s most suburb, Levittown. Long Island—once went to Italy on a Fulbright fellowship to study art.
No, she does not illustrate her own stories. Her husband, the young professional man who was also in Italy on a Fulbright, usually does; Carol just poses. (Frequently, I mean. You’ll find “Emsh” on the cover of just about every third s-f magazine these days; on just about half of those you’ll find a girl who is—usually recognizably—Mrs. “Emsh.”)
Carol Emshwiller is typical of a number of new authors in the field in that she has been writing for about five years, on a part-time basis. She is completely atypical (of anything or anybody) in the individuality of her style, the uniqueness of her perceptions, and the seemingly effortless clarity with which she conveys them.
“Pelt” is the story of a dog and a man on a hunting trip on a far distant planet in a future perhaps not too remote.
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She was a white dog with a wide face and eager eyes, and this was the planet, Jaxa, in winter.
She trotted well ahead of the master, sometimes nose to ground, sometimes sniffing the air, and she didn’t care if they were being watched or not. She knew that strange things skulked behind iced trees, but strangeness was her job. She had been trained for it, and crisp, glittering Jaxa was, she felt, exactly what she had been trained for, born for.
I love it, I love it . . . that was in her pointing ears, her waving tail ... I love this place.
It was a world of ice, a world with the sound of breaking goblets. Each time the wind blew they came shattering down by the trayful, and each time one branch brushed against another, it was: Skoal, Down the hatch, To the Queen . . . tink, tink, tink. And the sun was reflected as if from a million cut-glass punch bowls under a million crystal chandeliers.
She wore four little black boots, and each step she took sounded like two or three more goblets gone, but the sound was lost in the other tinkling, snapping, cracklings of the silver, frozen forest about her.
She had figured out at last what that hovering scent was. It had been there from the beginning, the landing two days ago, mingling with Jaxa’s bitter air and seeming to be just a part of the smell of the place, she found it in crisscrossing trails about the squatting ship, and hanging, heavy and recent, in hollows behind flat-branched, piney-smelling bushes. She thought of honey and fat men and dry fur when she smelled it. ’
There was something big out there, and more than one of them, more than two. She wasn’t sure how many. She had a feeling this was something to tell the master, but what was the signal, the agreed upon noise for: We are being watched? There was a whisper of sound, short and quick, for: Sighted close, come and shoot. And there was a noise for danger (all these through her throat mike to the receiver at the master’s ear), a special, howly bark: Awful, awful— there is something awful going to happen. There was even a noise, a low, rumble of sound for: Wonderful, wonderful fur—drop everything and come after this one. (And she knew a good fur when she saw one. She had been trained to know.) But there was no sign for: We are being watched.
She’d whined and barked when she was sure about it, but that had got her a pat on the head and a rumpling of the neck fur. “You’re doing fine, Baby. This world is our oyster, all ours. All we got to do is pick up the pearls. Jaxa’s what we’ve been waiting for.” And Jaxa was, so she did her work and didn’t try to tell him any more, for what was one more strange thing in one more strange world?
She was on the trail of something now, and the master was behind her, out of sight. He’d better hurry. He’d better hurry or there’ll be waiting to do, watching the thing, whatever it is, steady on until he comes, holding tight back, and that will be hard. Hurry, hurry.
She could hear the whispered whistle of a tune through the receiver at her ear and she knew he was not hurrying but just being happy. She ran on, eager, curious. She did not give the signal for hurry, but she made a hurry sound of her own, and she heard him stop whistling and whisper back into the mike, “So
, so, Queen of Venus. The furs are waiting to be picked. No hurry, Baby.” But morning was to her for hurry. There was time later to be tired and slow.
That fat-man honeyish smell was about, closer and strong. Her curiosity became two pronged—this smell or that? What is the big thing that watches? She kept to the trail she was on, though. Better to be sure, and this thing was not so elusive, not twisting and doubling back, but up ahead and going where it was going.
She topped a rise and half slid, on thick furred rump, down the other side, splattering ice. She snuffled at the bottom to be sure of the smell again, and then, nose to ground, trotted past a thick and tangled hedgerow.
She was thinking through her nose now. The world was all smell, crisp air and sour ice and turpentine pine . . . and this animal, a urine and brown grass thing . . . and then, strong in front of her, honey-furry-fat man.
She felt it looming before she raised her head to look, and there it was, the smell in person, some taller than the master and twice as wide. Counting his doubled suit and all, twice as wide.
This was a fur! Wonderful, wonderful. But she just stood, looking up, mouth open and lips pulled back, the fur on the back of her neck rising more from the suddenness than from fear.
It was silver and black, a tiger-striped thing, and the whitish parts glistened and caught the light as the ice of Jaxa did, and sparkled and dazzled in the same way. And there, in the center of the face, was a large and terrible orange eye, rimmed in black with black radiating lines crossing the forehead and rounding the head. That spot of orange dominated the whole figure, but it was a flat, blind eye, unreal, grown out of fur. At first she saw only that spot of color, but then she noticed under it two small, red glinting eyes and they were kind, not terrible.
This was the time for the call: Come, come and get the great fur, the huge-price-tag fur for the richest lady on earth to wear and be dazzling in and most of all to pay for. But there was something about the flat, black nose and the tender, bow-shaped lips and those kind eyes that stopped her from calling. Something masterlike. She was full of wondering and indecision and she made no sound at all.
The thing spoke to her then, and its voice was a deep lullaby sound of buzzing cellos. It gestured with a thick, fur-backed hand. It promised, offered, and asked; and she listened, knowing and not knowing.
The words came slowly. This . . . is . . . world.
Here is the sky, the earth, the ice. The heavy arms moved. The hands pointed.
We have watched you, little slave. What have you done that is free today? Take the liberty. Here is the earth for your four shoed feet, the sky of stars, the ice to drink. Do something free today. Do, do.
Nice voice, she thought, nice thing. It gives and gives ... something.
Her ears pointed forward, then to the side, one and then the other, and then forward again. She cocked her head, but the real meaning would not come clear. She poked at the air with her nose. Say that again, her whole body said. I almost have it. I feel it. Say it once more and maybe then the sense of it will come.
But the creature turned and started away quickly, very quickly for such a big thing, and disappeared behind the trees and bushes. It seemed to shimmer itself away until the glitter was only the glitter of the ice and the black was only the thick, flat branches.
The master was close. She could hear his crackling steps coming up behind her.
She whined softly, more to herself than to him.
“Ho, the Queen, Aloora. Have you lost it?” She sniffed the ground again. The honey-furry smell was strong. She sniffed beyond, zigzagging. The trail was there. “Go to it, Baby.” She loped off to a sound like Chinese wind chimes, businesslike again. Her tail hung guiltily, though, and she kept her head low. She had missed an important signal. She’d waited until it was too late. But was the thing a man, a master? Or a fur? She wanted to do the right thing. She always tried and tried for that, but now she was confused.
She was getting close to whatever it was she trailed, but the hovering smell was still there too, though not close. She thought of gifts. She knew that much from the slow, lullaby words, and gifts made her think of bones and meat, not the dry fishy biscuit she always got on trips like this. A trickle of drool flowed from the side of her mouth and froze in a silver thread across her shoulder.
She slowed. The thing she trailed must be there, just behind the next row of trees. She made a sound in her throat . . . ready, steady . . . and she advanced until she was sure. She sensed the shape. She didn’t really see it . . . mostly it was the smell and something more in the tinkling glassware noises. She gave the signal and stood still, a furry, square imitation of a pointer. Come, hurry. This waiting is the hardest part.
He followed, beamed to her radio. “Steady, Baby. Hold that pose. Good girl, good girl.” There was only the slightest twitch of her tail as she wagged it, answering him in her mind.
He came up behind her and then passed, crouched, holding the rifle before him, elbows bent. He knelt then, and waited as if at a point of his own, rifle to shoulder. Slowly he turned with the moving shadow of the beast, and shot, twice in quick succession.
They ran forward then, together, and it was what she had expected—a deerlike thing, dainty hoofs, proud head, and spotted in three colors, large gray-green rounds on tawny yellow, with tufts of that same glittering silver scattered over.
The master took out a sharp, flat-bladed knife. He began to whistle out loud as he cut off the handsome head. His face was flushed.
She sat down near by, mouth open in a kind of smile, and she watched his face as he worked. The warm smell made the drool come at the sides of her mouth and drip out to freeze on the ice and on her paws, but she sat quietly, only watching.
Between the whistlings he grunted and swore and talked to himself, and finally he had the skin and the head in a tight, inside out bundle.
Then he came to her and patted her sides over the ribs with the flat, slap sound, and he scratched behind her ears and held a biscuit to her on his thick-gloved palm. She swallowed it whole and then watched him as he squatted on his heels and himself ate one almost like it.
Then he got up and slung the bundle of skin and head across his back. “I’ll take this one, Baby. Come on, let’s get one more something before lunch.” He waved her to the right. “We’ll make a big circle,” he said.
She trotted out, glad she was not carrying anything. She found a strong smell at a patch of discolored ice and urinated on it. She sniffed and growled at a furry, mammal-smelling bird that landed in the trees above her and sent down a shower of ice slivers on her head. She zigzagged and then turned and bit, lips drawn back in mock rage, at a branch that scraped her side.
She followed for a while the chattery sound of water streaming along under the ice, and left it where an oily, lambish smell crossed. Almost immediately she came upon them—six, small, greenish balls of wool with floppy, woolly feet. The honey-fat man smell was strong here too, but she signaled for the lambs, the Come and shoot sound, and she stood again waiting for the master. “Good girl!” His voice had a special praise. “By God, this place is a gold mine. Hold it, Queen of Venus. Whatever it is, don’t let go.”
There was a fifty-yard clear view here and she stood in plain sight of the little creatures, but they didn’t notice. The master came slowly and cautiously, and knelt beside her. Just as he did, there appeared at the far end of the clearing a glittering, silver and black tiger-striped man.
She heard the sharp inward breath of the master and she felt the tenseness come to him. There was a new, faint whiff of sour sweat, a stiff silence and a special way of breathing. What she felt from him made the fur rise along her back with a mixture of excitement and fear.
The tiger thing held a small packet in one hand and was peering into it and pulling at the opening in it with a blunt finger. Suddenly there was a sweep of motion beside her and five fast, frantic shots sounded sharp in her ear. Two came after the honey-fat man had already fallen and lay li
ke a huge decorated sack.
The master ran forward and she came at his heels. They stopped, not too close, and she watched the master looking at the big, dead tiger head with the terrible eye. The master was breathing hard and seemed hot. His face was red and puffy looking, but his lips made a hard whitish line. He didn’t whistle or talk. After a time he took out his knife. He tested the blade, making a small, bloody thread of a mark on his left thumb. Then he walked closer and she stood and watched him and whispered a questioning whine.
He stooped by the honey-fat man and it was that small, partly opened packet that he cut viciously through the center. Small round chunks fell out, bite-sized chunks of dried meat and a cheesy substance and some broken bits of clear, bluish ice.
The master kicked at them. His face was not red any more, but olive-pale. His thin mouth was open in a grin that was not a grin. He went about the skinning then.