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  That document tells us many things about Paul Revere and his road to revolution. These boys of Boston drew up a solemn covenant, and instituted a government among themselves very much like Boston’s town meeting. They agreed that “we will choose a moderator every three months whose business shall be to give out the changes and other business as shall be agreed by a majority of votes then present … all differences to be decided by a majority of voices,” Membership was restricted as narrowly as in a New England church or town. The boys decided that “none shall be admitted a Member of this society without a unanimous vote,” They also covenanted not to demean themselves by Roman Catholic corruptions, and promised to work for their rewards: “No member,” they voted, “shall begg money of any person.” 18

  This simple document, drawn up by Boston boys barely in their teens, summarizes many of the founding principles of New England: the sacred covenant and the rule of law, self-government and majority vote, fundamental rights and free association, private responsibility and public duty, the gospel of service and the ethic of work, and a powerful idea of community.

  Another of those principles was the doctrine of the calling. Paul Revere was taught that every Christian had two callings—a special calling to work in one’s vocation, and a general calling to do Christ’s work in the world. The great Boston divine Cotton Mather explained this idea in a homely metaphor that would have been instantly clear to any boy who lived near Boston’s waterfront. Getting to Heaven, said Cotton Mather, was like rowing a boat with two oars: pull on one oar alone, and the boat will spin in circles.

  All his life, Paul Revere pulled on both oars. He became an apprentice to his father and mastered the special calling of “gold-smith,” working sometimes in that precious metal, but more often in silver, and later in copper and brass as well. When his father died in 1754, Paul Revere took over the business at the age of nineteen and became the main support of his family. 19 He worked hard, survived difficult times, and gradually became affluent, though never rich. He was known in town as a man who knew the value of money. Even his most intimate relationships were cast in terms of cash accounts. He looked faithfully after his widowed mother, but charged her room and board in his own home. This was the custom in Boston, where everyone was expected to pay his way. 20

  Bell Ringers’ Agreement, circa 1750 This covenant was signed by seven boys of Boston, including Paul Revere at about the age of fifteen. It is in the possession of the Old North Church.

  Paul Revere applied his artisan’s skills to many profitable tasks. He made frames for miniature portraits by John Singleton Copley. He studied the difficult art of copper-plate engraving, and did many illustrations for Boston printers. As a sideline he learned a method of “setting false teeth,” and advertised that “persons so unfortunate as to lose their Fore-Teeth by Accident, and other-ways, to their great detriment not only in looks but speaking may have them replaced with artificial ones … by PAUL REVERE Goldsmith.” 21

  But his major employment before the Revolution was as a silversmith. Much of his business in this thrifty Yankee town consisted of mending and repair work. In 1763, he billed Peter Jenkins for “making a fellow to your buckle.” His account books were filled with similar charges for “mending bruises” or patching holes in silver vessels. 22 Many of Boston’s leading Whigs were his customers. He sold a freemason’s medal to James Graham; a new brandy cock to Sam Adams who had worn out his old one; and a bosom pin to the beautiful Mrs. Perez Morton, whose portrait by Gilbert Stuart is one of the glories of American art. 23 At the same time, he also supplied the extravagant tastes of the new Imperial elite. In 1764, he charged Andrew Oliver, Junior, son of Boston’s much hated Imperial Stamp Officer, for “making a sugar dish out of an Ostrich egg.” 24

  Paul Revere also made small items of gold, but most of all he was known for his silver. The products of his shop are interesting in many ways, not least for what they reveal about the personality of their maker. His best work was executed to a high standard— the more difficult the piece, the greater the skill that it displayed. But the silver that came from Paul Revere’s shop also showed a highly distinctive pattern of minor flaws. Experts observe that his silver-soldering was not good, his interior finish was sometimes slovenly, and his engraving was often slightly off-center. Paul Revere was never at his best in matters of routine, and tended to become more than a little careless in tedious and boring operations. But he had a brilliant eye for form, a genius for invention, and a restless energy that expressed itself in the animation of his work. Two centuries later, his pieces are cherished equally for the touchmark of their maker and the vitality of his art. 25

  At the same time that Paul Revere worked at his special vocation, he also served his general calling as a Christian and churchgoer, citizen and townsman, husband and father. In August 1757 he married his first wife, Sarah Orne. Little is known about this union. The first baby arrived eight months after the wedding—a common occurrence in mid-18th-century New England, where as many as one-third of the brides in Yankee towns were pregnant on their wedding day. Eight children were born in swift succession. 26 Sarah died in 1773, worn out by her many deliveries. Paul Revere buried her in Boston’s bleak Old Granary Burying Ground beneath a grim old-fashioned Puritan grave marker with a hideous death’s head and crossbones, which were meant to remind survivors of their own mortality. 27

  Five months later Paul Revere married Rachel Walker, a lively young woman of good family, eleven years his junior. According to family tradition they met in the street near his shop. It was a love match. Paul Revere wrote poetry to his wife—”the fair one who is closest to my heart,” A draft of one love poem survives incongruously on the back of a bill for “mending a spoon.” Rachel returned his affection. She was a woman of strength and sunny disposition, deeply religious and devoted to her growing family. Eight more children were born of this union, which by all accounts was happy and complete. 28

  But in another way this family was deeply troubled. The dark shadow of death loomed constantly over it. Of Paul Revere’s eleven brothers and sisters, five died in childhood and two as young adults. Among his sixteen children, five were buried as infants and five more in early adulthood. He was only nineteen when his father died, and forty-two when he lost his mother. Many of these deaths came suddenly, with shattering force. The children died mostly of “fevers” that struck without warning. Whenever his babies took sick, Paul Revere was overcome by an agony of fear for his “little lambs,” as he called them. Their numbers did not diminish the depth of his anxiety. Even his ebullient spirits were utterly crushed and broken by their death. 29

  In Paul Revere’s time, many people suffered in the same way. Their repeated losses gave rise to a fatalism that is entirely foreign to our thoughts. Rachel once wrote to her husband, “Pray keep up your spirits and trust yourself and us in the hands of a good God who will take care of us. Tis all my dependence, for vain is the help of man.” 30

  Most people were fatalists in that era, but their fatalism took different forms. The Calvinist creed of New England taught that the “natural man” was impotent in the world, but with God’s Grace he became the instrument of irresistible will and omnipotent force. This paradox of instrumental fatalism was a powerful source of energy and purpose in New England. It also became a spiritual force of profound importance in Paul Revere’s career. 31

  On the Puritan Sabbath, he went faithfully to church. All his life Paul Revere belonged to Boston’s New Brick Church, often called the “Cockerel” after the plumed bird that adorned its steeple vane. His children were baptized there, as he himself had been. It was said that he attended church “as regularly as the Sabbath came.” 32

  On weekdays he served his community. Like Benjamin Franklin, another Boston-born descendant of Puritan artisans, Paul Revere became highly skilled at the practical art of getting things done. When Boston imported its first streetlights in 1774, Paul Revere was asked to serve on the committee that made the arrangeme
nts. When the Boston market required regulation, Paul Revere was appointed its clerk. After the Revolution, in a time of epidemics he was chosen health officer of Boston, and coroner of Suffolk County. When a major fire ravaged the old wooden town, he helped to found the Massachusetts Mutual Fire Insurance Company, and his name was the first to appear on its charter of incorporation. As poverty became a growing problem in the new republic, he called the meeting that organized the Massachusetts Charitable Mechanic Association, and was elected its first president. When the community of Boston was shattered by the most sensational murder trial of his generation, Paul Revere was chosen foreman of the jury. 33

  With all of these activities he gained a rank that is not easily translated into the conventional language of social stratification. Several of his modern biographers have misunderstood him as a “simple artizan,” which certainly he was not. 34 Paul Revere formed a class identity of high complexity—a new American attitude that did not fit easily into European categories. All his life Paul Revere associated actively with other artisans and mechanics and was happy to be one of them. When he had his portrait painted by Copley he appeared in the dress of a successful artisan. 35 At the same time he also considered himself a gentleman, and laid claim to an old French coat of arms that was proudly engraved on his bookplates. This was not merely a self-conceit. A commission from the governor in 1756 addressed him as “Paul Revere, Gentleman.” In 1774, Boston’s town meeting also recognized him in the same way. On his midnight ride he dressed as a gentleman, and even his British captors ceremoniously saluted him as one of their own rank, before threatening to blow out his brains. One officer pointed his pistol and said in the manner of one gentleman to another, “May I crave your name, sir?” 36

  The immigrant Apollos Rivoire changed his name, but kept his French identity, and engraved an elegant coat of arms on his bookplate. His American son Paul Revere thought of himself as both an artisan and a gentleman, and laughed even at his own pretensions—a new American attitude toward class. With self-deprecating humor, he modified the family arms on his bookplate to include a jolly British lion, a jaunty Gallic cock, and the militant American motto, Pugna pro Patria. Both bookplates are in the American Antiquarian Society.

  Paul Revere’s idea of a gentleman was distinctively American, and very different from its European usage. Once he defined a gentleman as a man who “respects his own credit.” Later in life, when dealing with the trustees of an academy who had failed to pay for one of his bells, Paul Revere wrote scathingly, “Are any of the Trustees Gentlemen, or are they persons who care nothing for character?” 37 The status of a gentleman for Paul Revere was a social rank and a moral condition that could be attained by self-respecting men in any occupation. European writers understood the idea of a “bourgeois gentilhomme” as a contradiction in terms, but in the new world of British America these two ranks comfortably coexisted, and Paul Revere was one of the first to personify their union. In his own mind he was an artisan, a businessman, and a gentleman altogether. 38

  In 1773 Paul Revere married Rachel Walker, his second wife. He wrote her love poems on the back of his shop accounts, and in 1784-85 had this miniature painted on ivory, probably by Joseph Dunkerly. It is set in a handsome gold frame that her husband probably made himself. Paul Revere had sixteen children (eight by Rachel) and at least 52 grandchildren. (Museum of Fine Arts, Boston)

  This house stood on Boston’s North Square nearly a century before Paul Revere bought it in 1770. He lived here until 1780, later moving to a three-story brick mansion at Charter and Hanover streets. In the summer, the Revere family kept a country cottage at Cantondale. But always he will be associated mainly with the house where he was living in 1775. This early postcard captures the busy street life of Boston’s North End from Paul Revere’s era to our own time. (Paul Revere Memorial Association)

  He was also an associating sort of man. When he died, a newspaper reported that his body was followed to the grave by “troops of friends.” In Boston he had many boon companions. He kept a small boat on the waterfront and a riding horse in his own barn next to his house in Boston, and he liked to fish and shoot, and ride for recreation across the Massachusetts countryside. He knew the inside of many taverns in the town, and enjoyed a game of cards or backgammon, and signed a petition to permit a playhouse in a town that had banned actors for two centuries. 39

  Among his many friends, Paul Revere was known for candor and directness, even to a fault. He was in the habit of speaking his mind; and when words failed him, sometimes he used his fists. In 1761, at the age of thirty-six, he came to blows with Thomas Fosdick, a hatter who had married one of Paul Revere’s many Hitchborn cousins. Nobody remembers what the quarrel was about. Something that Thomas Fosdick said or did so infuriated Paul Revere that he attacked his kinsman.

  New England did not tolerate that sort of violence. Paul Revere was hauled into Boston’s Court of Common Pleas, where a stern New England judge found him guilty of “assaulting and beating” his kinsman, ordered him to pay a fine, and made him give bond for his good behavior. But the fine was only six shillings, eight pence; and one of Paul Revere’s bondsmen was the brother of the victim. Whatever the facts, both the judge and at least one member of the Fosdick family appear to have felt that Thomas Fosdick got what he deserved. The incident did not lower Paul Revere’s standing in the town. 40

  He was a gregarious man, always a great joiner. In 1755 he joined the militia as a lieutenant of artillery, and served in an expedition against Crown Point during the French and Indian War. 41 After he returned in 1760, he became an active Mason, and in 1770 was elected master of his lodge. Freemasonry was deeply important to Paul Revere. All his life he kept its creed of enlightened Christianity, fraternity, harmony, reason, and community service. Often he was to be found at the Green Dragon Tavern, one of the grandest hostelries in Boston, which his lodge bought for its Masonic Hall. 42

  Another of his haunts was a tavern called the Salutation, after its signboard that showed two gentlemen deferring elaborately to one another. Here Paul Revere was invited to join the North Caucus Club, a political organization—one of three in Boston, founded by Sam Adams’s father as a way of controlling the politics of the town. The North Caucus was a gathering of artisans and ship’s captains who exchanged delegates with the other Caucuses and settled on slates of candidates before town meetings. 43

  Paul Revere was also invited to join the Long Room Club, which met above a printing shop in Dassett Alley, where Benjamin Edes and John Gill published the Boston Gazette. This secret society was an inner sanctum of the Whig movement in Boston—smaller and more select than the North Caucus. Its seventeen members included the most eminent of Boston’s leading Whigs. Most had been to Harvard College. Nearly all were lawyers, physicians, ministers, magistrates, and men of independent means. Paul Revere was the only “mechanic.” 44 The printing shop of Benjamin Edes below the Long Room Club became a favorite meeting place for Boston Whigs. In the Fall of 1772, John Adams happened by Edes’s office. Inside he found James Otis, “his eyes, fishy and fiery and acting wildly as ever he did.” Standing beside him was Paul Revere. 45

  Another political rendezvous was a tavern called Cromwell’s Head, whose owner Joshua Brackett was a friend and associate of Paul Revere. Its signboard, which was meant to symbolize the Puritan origins of Boston Whiggery, hung so low over the door that everyone who entered was compelled to bow before the Old Protector. Paul Revere was one of the few men who was comfortable in all of these places. Each of them became an important part of Boston’s revolutionary movement. 46

  In 1765, the town of Boston was not flourishing. Its population had scarcely increased in fifty years. Business conditions were poor. Many artisans and merchants fell into debt during this difficult period, including Paul Revere himself, who was temporarily short of cash. In 1765, an attempt was made to attach his property for a debt of ten pounds. He managed to settle out of court, and was lucky to stay afloat in a world depr
ession.

  This was the moment when Britain’s Parliament, itself hard pressed, unwisely decided to levy taxes on its colonies. America instantly resisted, and in the summer of 1765 Paul Revere joined a new association that called itself the Sons of Liberty. In the manner of Freemasonry, its members exchanged cryptic signs and passwords, and wore special insignia that might have been made by Paul Revere—a silver medal with a Liberty Tree and the words “Sons of Liberty” engraved on its face. 47

  The Sons of Liberty or Rescinders’ Bowl was made by Paul Revere for the subscribers whose names appear around the rim. It commemorated the ninety-two Massachusetts legislators who defied the King’s command to rescind a Circular Letter that summoned all the colonies to resist the Townshend Acts. The bowl is embellished with liberty poles, liberty caps, Magna Carta, the English Bill of Rights, and John Wilkes’ polemic, No. 45 North Briton. The inscription condemns “the insolent Menaces of Villains in Power,” (Museum of Fine Arts, Boston)

  The Sons of Liberty took a leading part in Boston’s campaign against the Stamp Act. When Parliament at last repealed the hated tax, Paul Revere helped to organize a public celebration on Boston Common. He engraved a design for a large paper obelisk, illuminated by 280 lamps and covered with symbols of liberty and defiance. 48

  That moment of triumph was short-lived. In 1767, desperate British ministers tried again to tax America, in a new set of measures called the Townshend Acts. The legislature of Massachusetts responded with a Circular Letter to its sister colonies, urging all to resist as one. British leaders were so outraged that the King himself ordered the Massachusetts Circular Letter to be rescinded. The legislature refused by a vote of 92 to 17. Paul Revere was commissioned by the Sons of Liberty to make a silver punch bowl commemorating the “Glorious 92,” The “Rescinders’ Bowl” became a cherished icon of the American freedom. 49