From the author of the best sellers The Last Werewolf and Talulla Rising, the hair-raising conclusion to the saga that has galvanized readers' imaginations: an electrifying, startlingly erotic love story that gives us the final battle for survival between werewolves and vampires, and one last incisive--brilliantly ironic--look at what it means to be, or to not be, human.
Talulla has settled into an uneasy equilibrium: with her twins at her side and the devotion of her lover Walker, it's a normal family life--except for their monthly transformation into werewolves hungry for human flesh. But even this tenuous peace is interrupted for Talulla by nagging thoughts of Remshi, the 20,000-year-old vampire who haunts her dreams. In turn Remshi can't escape the feeling that he knows Talulla from years before (many, many, many years). They have their distractions: Talulla is being pursued by a fanatical Christian cult, and Remshi is following the trail of reckless feedings by a newly turned vampire. But, as the novel unfurls, they are inextricably drawn to each other--and toward the moment when an ancient prophecy may finally come to pass--in this tale of pulse-pounding supernatural suspense.
Then she opened her mouth to scream—and recognised me. It was what I’d been waiting for. She froze. She looked into my eyes. She said, “It’s you.”
Meet Jake. A bit on the elderly side (he turns 201 in March), but you’d never suspect it. Nonstop sex and exercise will do that for you—and a diet with lots of animal protein. Jake is a werewolf, and after the unfortunate and violent death of his one contemporary, he is now the last of his species. Although he is physically healthy, Jake is deeply distraught and lonely.
Jake’s depression has carried him to the point where he is actually contemplating suicide—even if it means terminating a legend thousands of years old. It would seem to be easy enough for him to end everything. But for very different reasons there are two dangerous groups pursuing him who will stop at nothing to keep him alive.
Here is a powerful, definitive new version of the werewolf legend—mesmerising and incredibly sexy. In Jake, Glen Duncan has given us a werewolf for the twenty-first century—a man whose deeds can only be described as monstrous but who is in some magical way deeply human.
One of the most original, audacious, and terrifying novels in years.
From the Hardcover edition.
In a windowless cell, a man hangs from a pair of handcuffs. He is an American. His torturer will stop at nothing to extract the information he requires. He, too, is an American.
A Day and a Night and a Day is a Grand Inquisition for the twenty-first century, in which love, loyalty, reason, and truth are on trial, and morality hangs in the balance. It is the story of Augustus Rose, an unlikely operative in a terrorist network, and his interrogator, Harper, a ruthless ambassador for the darkest forces at work in our times.
Beyond the law and without hope of escape or reprieve, Augustus endures an emotional and physical assault that brings his whole life under brutal scrutiny: his race, religion, politics, and past, the people he has loved, and the few he is still desperate to protect. Alone and certain of death, Augustus raises the only shield he has: memory.
He remembers his outcast Euro-American mother, Juliet, whose erratic love was refuge from the unforgiving streets of Harlem in the 1950s; he recalls the strange solace of Elise Merkete, the ravaged vigilante who recruited him into the ranks of her underground army; he relives the cool touch of the young Spanish prostitute, In�s, perhaps the last female tenderness he's ever likely to know.
Outshining them all is the memory of Selina, a stunning, troubled, and rebellious white New York aristocrat. Their epic, taboo love affair, begun in 1960s Manhattan, would yield a lifetime's worth of passion, heartbreak, and wanderlust, leading Augustus from Harlem to Greenwich Village, from El Salvador to Barcelona, from Morocco to a bleak British island where death seems his only companion.
Dramatic, far-reaching, and beautifully written, A Day and a Night and a Day is both a piercing love story and a timely, harrowing evaluation of the shape the Western world is taking.
When I change I change fast. The moon drags the whatever-it-is up from the earth and it goes through me with crazy wriggling impatience . . . I’m twisted, torn, churned, throttled—then rushed through a blind chicane into ludicrous power . . . A heel settles. A last canine hurries through. A shoulder blade pops. The woman is a werewolf.
The woman is Talulla Demetriou.
She’s grieving for her werewolf lover, Jake, whose violent death has left her alone with her own sublime monstrousness. On the run, pursued by the hunters of WOCOP (World Organisation for the Control of Occult Phenomena), she must find a place to give birth to Jake’s child in secret.
The birth, under a full moon at a remote Alaska lodge, leaves Talulla ravaged, but with her infant son in her arms she believes the worst is over—until the windows crash in, and she discovers that the worst has only just begun . . .
What follows throws Talulla into a race against time to save both herself and her child as she faces down the new, psychotic leader of WOCOP, a cabal of blood-drinking religious fanatics, and (rumor has it) the oldest living vampire.
Harnessing the same audacious imagination and dark humor, the same depths of horror and sympathy, the same full-tilt narrative energy with which he crafted his acclaimed novel The Last Werewolf, Glen Duncan now gives us a heroine like no other, the definitive twenty-first-century female of the species.
Switching seamlessly between the chaos and bloodshed of 1940s India and the multicultural mélange of twenty-first-century Britain, Glen Duncan's sublime new novel finds love in both.
Ross Monroe is a boxing railwayman with a weakness for get-rich-quick schemes. Kate Lyle is a headstrong young woman desperate to escape a sexually predatory household. Both are Anglo-Indians, members of a race that helped turn the wheels of Empire for years. But Empire days are numbered, and as India sheds its colonial skin, the young lovers must face their own tryst with destiny.
In twenty-first-century England, Owen Monroe is writing this story of his parents' lives in an effort to avoid the problems in his own: lost love, relentless libido, dreams of death, and a world full of headlines he can't understand and doesn't want to. But keeping past and present apart isn't as easy as it seems, and before long Owen is deep in the one story he never wanted to tell....
Epic in its scope yet never losing sight of the telling, gorgeous detail, The Bloodstone Papers is an extraordinarily rich and beautiful read that manages to ask the big questions without fuss and to accept that the big answers aren't always what we want to hear.
The Prince of Darkness has been given one last shot at redemption, provided he can live out a reasonably blameless life on earth. Highly sceptical, naturally, the Old Dealmaker negotiates a trial period - a summer holiday in a human body, with all the delights of the flesh.
The body, however, turns out to be that of Declan Gunn, a depressed writer living in Clerkenwell, interrupted in his bath mid-suicide. Ever the opportunist, and with his main scheme bubbling in the background, Luce takes the chance to tap out a few thoughts - to straighten the biblical record, to celebrate his favourite achievements, to let us know just what it's like being him.
Neither living nor explaining turns out to be as easy as it looks. Beset by distractions, miscalculations and all the natural shocks that flesh is heir to, the Father of Lies slowly begins to learn what it's like being us.
Review“Grim, violent and paradoxically elegant.” (Kirkus Reviews )“Glen Duncan is one of the best English-language writers working today—smart and musical, funny and serious at once. A day and a night and a day is a good estimation of how long it will take you to gulp down this wonderful novel.” (Darin Strauss, bestselling author of Chang & Eng and More Than it Hurts You )“Gripping…the darkest and most convincing account of the idiocies, insights and horrors of the “war on terror” that I’ve yet read.” (Salon.com )“A gripping, entertaining read.” (Orlando Sentinel )“Imagery is a tool of seduction for Duncan, who is one of England’s best-kept literary secrets. And he wields it brilliantly . . . A Day and a Night and a Day is a triumph.” (Richmond Times-Dispatch )“Duncan’s polished, merciless, and frequently hilarious prose supplies a trove of pleasures all its own.” (Publishers Weekly )“[Glen Duncan’s] paragraphs are nothing less than accomplishments. A DAY AND A NIGHT AND A DAY....delivers an astonishingly heady and warm and enthralling read. This is the good stuff.” (Charles Bock, bestselling author of BEAUTIFUL CHILDREN )“Thrilling, a probe deep into the heart of our age . . . bracing and original.” (International Herald Tribune )“A stunning new novel…I defy most readers to put it down.” (Cleveland Plain Dealer )“This stunning novel contains equal doses of cruelty and beauty, rendered with language so precise that it reaches your nerves with both pain and delight. There are no lukewarm emotions in this novel, only the intensity of people perpetually on the verge (Dalia Sofer, bestselling author of The Septembers of Shiraz )“Duncan can be clairvoyant about how people live now. . . . A Day and a Night and a Day . . . leave[s] you with the sense of having been brushed by something uncanny, so close does Duncan get to saying the unsayable. Bracing and original.” (New York Times Book Review )“A meticulously artful book.” (New York Magazine ) About the AuthorGlen Duncan is the critically acclaimed author of six previous novels, including Death of an Ordinary Man; I, Lucifer; and, most recently, The Bloodstone Papers. He lives in London.
Switching seamlessly between the chaos and bloodshed of 1940s India and the multicultural mÉlange of twenty-first-century Britain, Glen Duncan's sublime new novel finds love in both. Ross Monroe is a boxing railwayman with a weakness for get-rich-quick schemes. Kate Lyle is a headstrong young woman desperate to escape a sexually predatory household. Both are Anglo-Indians, members of a race that helped turn the wheels of Empire for years. But Empire days are numbered, and as India sheds its colonial skin, the young lovers must face their own tryst with destiny.In twenty-first-century England, Owen Monroe is writing this story of his parents' lives in an effort to avoid the problems in his own: lost love, relentless libido, dreams of death, and a world full of headlines he can't understand and doesn't want to. But keeping past and present apart isn't as easy as it seems, and before long Owen is deep in the one story he never wanted to...